NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 Naija dance songs of 2019

10 Sep 2019 - 10:16

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It has been a great year in the Nigerian music scene, witnessing many singles and album releases. Fans have been hit by a series of new songs on radio and the internet, some of them great. The continuous delivery of catchy, smooth sounds and new dance moves has put Naija hip hop and Afrobeats in the spotlight as the music from the country keeps turning more and more heads around the world.

Nigerian artists Zlatan, Davido, Tekno and Phyno.

Burna Boy has become one of the most sought after artists in the world in 2019. He has been in the news non- stop from the release of his highly successful African Giant album to being nominated for the 2020 Grammys. Tiwa Savage has been on a continuous successful ride, collaborating with other artists and touring the world. 'Beginning' by Joeboy is a constant at wedding ceremonies and clubs alike. Olamide's ‘Totori’ is a street mantra and the provocative ‘Soapy’ by Naira Marley is high on the list of DJ's favourites. These songs have received constant airplay throughout the country and beyond.

Below are some of the hottest dance tracks making their rounds in Nigeria today:

10. 'Totori' – Olamide, Wizkid, Id Cabasa

‘Totori’ is a singalong track where Olamide brings the old pidging word ‘totori’, often used in expressing pleasure or the good life to the fore.

9. 'Beginning' – Joeboy

The Sensational Joeboy is currently one of the most sought after artists in Africa who burst into the scene less than a year ago and making waves due to the creativity and dramatic animated videos. This song is the go-to song for newlyweds in Nigeria and beyond.

8. ‘Soapy’ – Naira Marley

The song is about Naira Marley's experiences in prison and a jibe at the Nigerian authorities that held him a few months ago for internet fraud. Marley is known to court controversies, and the style of dance to it says it all.

7. 'Disturbance' ft Peruzzi – Davido

Disturbance is one of the tracks of the newly released Good Time album in a typical Davido flow, rhythm and sing-along style. He professes his love and deep affection for a fine girl, hoping to locate her low waist.

6. 'Attention' – Tiwa Savage

Called the Queen of Afropop her by admirers, Tiwa Savage has been dropping hits that resonate with her fanbase on a constant basis. She confirms her position as one of the top superstars from the continent this year.

5. 'Scatter' – Fireboy DML

The Olamide nurtured singer, Fireboy DML has seen a steady rise in his music this year. Signed to YBNL Nation, 'Scatter' a track from his new album Laughter, Tears & Goosebumps is one of radio and party DJ's favourites, enjoying constant airplay. 'Scatter' is getting the fans dancing into the holiday season.

4. 'Omo' – Burna Boy

Burna Boy has had a great year, culminating in his nomination to the 2020 Grammy Awards. He released this video in November, four months after dropping his African Giant album, it is still hot and a club banger anytime.

3. 'Joro' – Wizkid

Another track influenced by Fela Kuti, Joro is taken from the Zombie album. Soothing flow and dance confirming Wizkid's status as an international artist bringing Afrobeats to the world.

2. ‘Pawon’ – Olamide

Olamide's new single is getting all the attention on radio and the internet with videos of different ladies twerking on Instagram.

1. 'Billionaire' – Teni

Confessing the dream of many young people, the dream of becoming a billionaire is paramount. Flashy cars and holidays in Santorini, not many will say not to that.

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