NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top gqom songs of 2019

04 Jul 2019 - 14:45

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Welcome to our 2019 playslist of the best gqom tracks that are spinning in the clubs and rattling car windows in South Africa and beyond.

Prince Kaybee. Photo: YouTube

Last year, gqom fans were dancing to hits like ‘Huku’, ‘Bazoyenza’, ‘Oncamnce’, ‘Bhampa’ and ‘Uniform’. Are the below tracks timeless gqom hits in the making? Time will tell, but we'll make sure we update this playlist as 2019 progresses. Enjoy!

'John Cena' by Sho Madjozi

The song has has garnered Sho Madjozi international attention and a dance challenge to the track went viral after its release.

'Ubumnandi' by Distruction Boyz ft. Nokwazi, DJ Tira, Dladla Mshunqisi and Fearless Boyz

This latest release features some of the best names in the gqom scene. The song celebrates the popular local vosho dance and what makes it stands out is Dladla Mshunqisi's exaggerated and catchy vocal gimmicks.

‘That's for Me’ by Vanessa Mdee ft. Distruction Boyz, DJ Tira and Prince Bulo

Tanzania’s Vanessa Mdee made a surprising appearance on the gqom music scene, a genre that is dominated by South African beatmakers. The East African songbird sought the help of gqom greats Distruction Boyz, DJ Tira and Prince Bulo. The video for the song also features the popular vosho dance.

'Ndakwenza Ntoni' by NaakMusiQ and Bluelle

This one might just be the best gqom song of 2019. It's synth progression is catchier than the ice cream truck tune, and NaakMusiQ performance is so infectious it'll have you playing this song on repeat.

‘Gugulethu’ by Prince Kaybee ft. Indlovukazi, Supta and Afro Brothers

Prince Kaybee is an artist who never disappoints. His May released ‘Gugulethu’ video is a follow up of the ‘Banomoya’ masterpiece. Featuring Indlovukazi, Supta and Afro Brothers, the video is doing well and was sitting on more that 1.6 million YouTube at the time of writing.

‘Inkonjane’ by DJ Mphyd and Tipcee ft. DJ Tira and Dladla Mshunqisi

DJ Mphyd is not new to the gqom scene. Known for his ‘Omunye’ blockbuster, the Cape Town-born producer and fellow artist Tipcee feature DJ Tira and Dladla Mshunqisi on ‘Inkonjane’. The video for the song was released on YouTube in May.

‘Qolo Lami’ by Sparks Bantwana ft. DJ Sox

Composed by Mbuso Dominique Pepu, ‘Qolo Lami’ encourages gqom fans to dance amid booming bass waves. The music video for the song was produced and directed by Monde Dube.

'Ingozi' by Rudeboyz ft. Nokwazi and TNS

‘Ingozi’ deserves a video and we hope the Rudeboyz have that in mind. The song’s pleasant-sounding beats fuse well with Nokwazi and TNS’ mellow voices. ‘Ingozi’ is proof that gqom still has a long future in the music industry.

‘Umcimbi Wethu’ by Tipcee ft. DJ Tira, Mampintsha and Babes Wodumo

‘Umcimbi Wethu’ is one of the best 2019 collaborations so far. Tipcee, who rose to fame in 2017 after featuring on ‘Amadada’ and ‘Malume’, sought the powerful lyrics of the gqom scene's best artists, namely DJ Tira, Mampintsha and Babes Wodumo. The song is off the album of the same name.

‘Freedom’ by uBiza Wethu and Mr Thela

‘Freedom’ is a party song everyone loves jamming to. The track can be classified as an instrumetal, if you don't count the intermittent looped haibos.

‘Gqomoza’ by Havoc Fam

'Gqomoza’ is a party song that will lighten up your mood. Shot in a ghetto suburb, the video for the song was released in March.

‘Sgubhu Re Up’ by Soweto Finest

In the ‘Sgubhu Re Up’ video, Soweto Finest shows off their amazing dance moves in an open space. The song, off the album of the same name, was released in February. More to come from this outfit!

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