NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top SA house songs of 2020

09 Jul 2020 - 08:20

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South African house is still a leading genre by popularity in the country, but it's facing tough competition from amapiano.

Prince Kaybee, Nomcebo Zikode, Heavy K and Mpumi.

Nonetheless, house and its leading artists, many of whom are making amapiano anyway, can take solace in the fact that amapiano, like gqom, could be just another fad that comes and goes. After all, house and kwaito are the progenitors of these sub-genres and constitute the foundations on which newcomers rest.

This year’s top house tracks include 2019 hits like ‘Kobanini’ and ‘Jerusalema’, which were released in November and December. Both tracks feature vocalist Nomcebo, who has cemented her presence on the local house music scene. Big names like Heavy K, Professor, Dr Malinga, Mpumi, Sun-El Musician, DJ Tira, NaakMusiQ and TNS have also hit the right notes with new releases in 2020.

Below is Music In Africa's dynamic playlist of the top SA house songs of 2020, in no particular order. The playlist will grow until the end of the year, so make sure you bookmark it for your continuous listening pleasure.

Xola Moya Wami by Nomcebo Zikode ft. Master KG

The song is off Nomcebo Zikode’s eponymous album. She is better known as the golden voice of the world-renowned hit ‘Jerusalema’, a song by Master KG. Zikode is also known for blessing DJ Ganyani with sweet vocals for his smash hit ‘Emazulwini’.

Siyafana by Nomcebo Zikode

The song’s fast tempo alongside Zikode’s pleasant-sounding vocals makes it one of the top house songs of 2020.

Indlela by Nomcebo Zikode

This is another top song off Zikode’s debut album. ‘Indlela’ is a perfect song for someone on a long road trip.

Njabulo by Nomcebo Zikode ft. Master KG

Zikode and Master KG’s constant collaborations are bearing fruit and ‘Njabulo’ is no doubt a club banger. The song lacks a video, which could generate more attention.

Ase Moruti by King Monada

This song gets people moving on the dance floor. ‘Ase Moruti’ is among the songs which have propelled King Monada into a league of dance music stars who have become revellers’ favourites and a crowd puller at concerts.

Ngiyesaba by Character ft. Q Twins and Ntencane

‘Ngiyesaba’ was made popular by 2019 Idols SA constants Q Twins. The track is a love song whose other parts of the video were shot on a beautiful waterfall.

Uwrongo by Prince Kaybee, Shimza, Black Motion and Ami Faku

‘Uwrongo’ is the hitmaking Prince Kaybee’s first single of the year. The song attained gold status in South Africa and reached No 1 on various South African radio stations. It took the first spot for multiple weeks on Radiomonitor's South Africa Top 100 chart.

Thatha by Heavy K ft. Mbuso Khoza

Heavy K never disappoints. The song was released in late April and is making big waves.

SBCNCSLY by Black Coffee ft. Sabrina Claudio

Black Coffee and American singer Sabrina Claudio's collaboration is probably one of the classier releases of 2020. Claudio's multi-layered vocals make for a dreamy composition, while Black Coffee employs various keys (amapiano) to add melodic complexity to the track.

Tsamaya by Heavy K ft. Professor

Another Heavy K club banger featuring top house artist Professor. This is among the top house collaborations of 2020 and relies on the now well-known gqom/kwaito signature beat.

Ngikwenzeni by Dr Malinga ft. Mpumi & Villager SA

The song is based on a true story that happened Dr Malinga – one that is about betrayed by his friends. It was produced by Limpopo-based producer Villager SA.

Ayabonga by TNS and Skillz ft. Le Soul

What makes the song powerful are the beats and slowed-down aesthetic in the video. The combination between TNS, Skillz and Le Soul is as smooth as a house track can get.

Yasha Imizi by Claudio and Kenza ft. Mpumi and Sun-El Musician

Music duo Claudio and Kenza team up with house favourites Mpumi and Sun-El Musician on this vocally laden composition. This one will give you goosebumps. Cheers!

Everything by Black Motion and Afrotraction ft. Mo-T

House duo Black Motion are the masters of the percussive house sound. This song also bears jazz, funk and R&B influences, which makes it quite unique compared to most of the other house releases this year.

Kobanini by Mobi Dixon ft. Nomcebo and T-Love

The song was released in November 2019 but still finds itself among the top 2020 releases. The presence of Nomcebo, who featured on the well-known ‘Jerusalema’ (also added to this playlist), could be the reason for its success.

Insimbi by Sun-El Musician and Mthunzi

Sun-El's melodic progressions are arguably the catchiest. They also have a certain purity and feeling of nostalgia that cannot but move the listener. This track is perfectly complemented by Mthunzi's Zulu lines.

iBhari by TNS ft. Luqua

This track relies mostly on its thumping beat, and is a true lockdown release, dropping in April. It's sung in Zulu and English.

More and More by Lady Zamar

This is a love song and its video stars Lady Zamar as a bride. ‘More and More’ is the kind of track any house fan could play for their lover when things aren't going too well.

Ngi Linde Wena by Mo Flava ft. Nomcebo

Mo Flava sought the voice of Nomcebo for this track. The chanteuse seems to be the go-to singer if you want a hit at the moment. This is totally understandable – there are few powerful voices like Nomcebo's currently on the SA house scene.

Jerusalema by Master KG ft. Nomcebo

Without doubt one of the biggest house tracks of 2019, ‘Jerusalema’ was released in December and is still receiving plenty of airplay. The song was sitting at more than 35 million YouTube views at the beginning of July 2020.

SuperHero by DJ Tira ft. NaakMusiQ and DJ Clock

This song has an old techno flavour and a strong Kwaito feel. What's better than that for the older house heads? The ‘SuperHero’ music video was shot with DJ Tira and NaakMusiQ’s cellphones.

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