NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

VGMAs 2019: Stonebwoy, Shatta Wale clash on stage

20 May 2019 - 07:26

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The 20th edition of the annual Vodafone Ghana Music Awards (VGMAs) was marred by an onstage brawl between arch-rivals Shatta Wale and Stonebwoy.

Stonebwoy reportedly pulled out a gun during the 2019 VGMAs

The awards ceremony took place at the Accra International Conference Centre in Ghana on 18 May and saw musicians like Medikal, Kuami Eugene, Diana Hamilton and Nigeria’s Burna Boy emerge as winners.

However, the awards ceremony was disrupted when an altercation broke out between the two popular musicians and their crews.

According to numerous Ghanaian media outlets, when Stonebwoy went onstage to receive the Reggae/Dancehall Artist of the Year Award with his entourage, Shatta Wale and his crew mounted the stage. A scuffle then erupted, with Stonebwoy pulling out a gun and forcing the guests to leave the auditorium.

Speaking to Music In Africa, Ghanaian music promoter and publicist Jonilar confirmed the incident and said the two musicians were being held at the Tesano police station in Accra, awaiting a possible court hearing.

"For me as a publicist and blogger working with some of the nominees, I was disappointed in how things turned out, just an hour into the main show," he said. "It was also unfortunate that it had to happen when we were celebrating 20 years of the awards and in the glare of many legends and moguls working with major labels who had been invited to experience the special edition.

"I’m happy the police have officially invited Stonebwoy and Shatta Wale to resolve their differences. I also urge the Arts Ministry to get involved in settling this long-term dispute so we can rebuild our integrity as one of the best awards in West Africa."

During his acceptance speech for another award, Stonebwoy apologised for the incident, according to local media.

"I only had to react out of natural instincts because we all know how premeditative some people can be," he said. "We've seen on social media the threats and everything so we couldn't come in unprepared. I come in peace and I go in peace and I apologise to the whole masses of Ghana that the awards is going to continue."

No major incidents were reported after the scuffle, according to the BBC. But the incident has now raises questions about how Stonebwoy had entered the venue with a firearm.

Below is the full list of winners:

Record of the Year

  • Fuse ODG – 'Bra Fie' feat Damain Marley
  • Akwaboah – 'Hye Me Bo'
  • Okyeame Kwame – 'Made In Ghana'
  • Trigmatic – 'Where We Dey Go'
  • Stonebwoy – 'Tomorrow'

Album of the Year

  • Kuami Eugene – Rockstar
  • Akwaboah – Matters of the Heart
  • Wendy Shay – Shay on You
  • Diana Hamilton – I Believe
  • Samini – Untamed
  • Shatta Wale – Reign

Afropop Song of the Year

  • King Promise – 'Tokyo' feat Wizkid
  • Guilty Beatz – 'Akwaaba' feat Mr Eazi, Pappy Kojo & King Promise
  • Kwesi Arthur – 'Don’t Keep Me Waiting' feat KiDi
  • Article Wan – 'That Thing' feat Patapaa
  • Wendy Shay – 'Uber Driver'
  • DJ MicSmith – 'Yenkor' feat Kwesi Arthur
  • MzVee – 'Come and See My Moda' feat Yemi Alade
  • Shatta Wale – 'Thunder Fire' feat SM Militants

Highlife Song of the Year

  • Dada Hafco – 'Yebewu Nti'
  • Kidi – 'Thunder'
  • Shatta Wale – 'My Level'
  • Kumi Guitar – 'Betweener'
  • Kwesi Arthur – 'Woara'
  • King Promise – 'CCTV' feat Sarkodie & Mugeez
  • Adina – 'Killing Me Softly'

Hip hop Song of the Year

  • Medikal – 'How Much' Remix feat Sarkodie & Omar Sterling
  • Sarkodie – 'Biibi Ba' feat Amerado, Kofi Mole, Tulenkey, Yeyo, 2Fingers, Frequency, LJ, O’Bkay & CJ Biggerman
  • KoJo Cue – 'Wole' Remix feat Worlasi, Kwesi Arthur, Shaker, Kay-Ara, Temple & C-Real
  • Kwesi Arthur – 'Anthem'
  • Joey B – 'Stables' feat La Meme Gang
  • R2Bees – 'Boys Kasa' feat Kwesi Arthur, King Promise, Darkovibes, B4bonah, Humble Dis, Spacely, Medikal & Rjz

Hiplife Song of the Year

  • Medikal – 'Ayekoo' feat King Promise
  • Sarkodie – 'Can’t Let You Go' feat King Promise
  • Quamina MP – 'Wiase Ye De' Remix feat Kwesi Arthur & Yung C
  • DopeNation – 'Eish'
  • Flowking Stone – 'Blow My Mind'
  • Stonebwoy – 'Kpoo Keke' feat Medikal, Kwesi Arthur & Darko Vibes
  • Yaa Pono – 'Obiaa Wone Master' feat Stonebwoy
  • Strongman – 'Baby Girl' feat Kuami Eugene

Reggae/Dancehall Song of the Year

  • Maccasio – 'Dagomba Girl' feat Mugeez
  • Shatta Wale – 'Gringo'
  • Stonebwoy – 'Top Skanka'
  • Samini – 'Obaa'

Gospel Song of the Year

  • Joyce Blessing – 'I Swerve You'
  • KODA – 'Hosanna'
  • I.K Aning – 'Bobolebobo'
  • Joe Mettle – 'My Everything'
  • Obaapa Christy – 'W’asua Me'
  • Bethel Revival Choir – 'Agba Dza'
  • Diana Hamilton – 'Mo Ne Yo'

Reggae/Dancehall Artist of the Year

  • Stonebwoy
  • Epixode
  • Samini
  • AK Songstress
  • Shatta Wale

Gospel Artist of the Year

  • Joyce Blessing
  • Joe Mettle
  • KODA
  • Diana Hamilton
  • Obaapa Christy
  • Akesse Brempong

Highlife Artist of the Year

  • KiDi
  • Kuami Eugene
  • Akwaboah
  • King Promise
  • Adina

Songwriter of the Year

  • Fuse ODG – 'Bra Fie'
  • Teephlow – 'Forgive'
  • Akwaboah – 'Hye Me Bo'
  • King Promise – 'CCTV'
  • Trigmatic – 'Where We Dey Go'
  • Stonebwoy – 'Tomorrow'

Best Video of the Year

  • Joey B – 'Stables' feat La Meme Gang (Dir. David Duncan)
  • KoJo Cue & Shaker – 'Up & Awake' feat Kwesi Arthur (Dir E. Kumodzi)
  • Kirani Ayat – 'Guda' (Dir David Nico-Sey)
  • M.anifest – 'Me Ne Woa' feat King Promise (Dir Makere Thekiso)
  • Shatta Wale – 'Gringo' (Dir Sesan)
  • Fuse ODG – 'Bra Fie' feat Damain Marley (Dir Edgar Stevens)
  • Sarkodie – 'Biibi Ba' feat Amerado, Kofi Mole, Tulenkey, Yeyo, 2Fingers, Frequency, LJ, O’Bkay & CJ Biggerman (Dir Babs)
  • MzVee – 'Come and See My Moda' feat Yemi Alade (Dir Xbills Ebenezer)

Hiplife/Hip hop Artist of the Year

  • Patapaa
  • Medikal
  • Sarkodie
  • Kwesi Arthur
  • R2Bees
  • La Meme Gang

Male Vocalist of the Year

  • King Promise
  • KiDi
  • Akwaboah
  • Luigi Maclean

Female Vocalist of the Year

  • eShun
  • Efya
  • Cina Soul
  • Adina
  • MzVee
  • Diana Hamilton

Group of the Year

  • R2Bees
  • DopeNation
  • La Meme Gang
  • Bethel Revival Choir

Rapper of the Year

  • Medikal
  • M.anifest
  • Teephlow
  • Sarkodie
  • Obibini

Best Collaboration of the Year

  • Adina – 'Killing Me Softly' feat Kuami Eugene
  • Sarkodie – 'Can’t Let You Go' feat King Promise
  • King Promise – 'CCTV' feat Sarkodie & Mugeez
  • Guilty Beatz – 'Akwaaba' feat Mr Eazi, Pappy Kojo & Patapaa
  • MzVee – 'Come and See My Moda' feat Yemi Alade
  • Yaa Pono – 'Obiaa Wone Master' feat Stonebwoy
  • Stonebwoy – 'Kpoo Keke' feat Medikal, Kwesi Arthur, Darko Vibes & Kelvyn Boy
  • DJ Vyrusky – 'Never Carry Last' feat Kuami Eugene & Mayorkun

Best African Collabo

  • Dopenation ft. Olamide – 'Naami' Remix
  • Guilty Beats ft. Mr. Eazi, Patapaa & Pappy Kojo – 'Akwaaba'
  • Too Fan ft. Patoranking & Sarkodie – 'My Girl' Remix
  • King Promise ft. Wizkid – 'Tokyo'
  • Stonebwoy ft. Casper Nyovest – 'Wame'
  • Mzvee ft. Yemi Alade – 'Come and see my Mother'
  • Shatta Wale ft. Olamide – 'Wonder'

African Artist of the Year

  • Davido
  • Wizkid
  • Mr Eazi
  • Sauti Soul
  • Cassper Nyovest
  • Burna Boy

Best New Artist of the Year

  • Quamina MP
  • Kelvyn Boy
  • Eddie Khae
  • Wendy Shay
  • La Meme Gang
  • DopeNation

Instrumentalist of the Year

  • Unda Beats
  • Mizter Okyere
  • Enoch Owuraku
  • Emmanuel Bludo

Producer of the Year

  • Kaywa
  • Killbeats
  • Kuami Eugene
  • DDT
  • MOG Beat

Lifetime Achievement Award

  • Dr Mary Ghansa
  • Obuoba JA Adofo
  • Kofi Abraha

Artist of the Decade

  • Becca
  • Efya
  • Joe Mettle
  • No Tribe and Nacee
  • Okyeame Kwame
  • R2Bees
  • Samini
  • Sarkodie
  • Shatta Wale
  • Stonebwoy

Artist of the Year*

  • King Promise
  • Kuami Eugene
  • Joe Mettle
  • Sarkodie
  • Shatta Wale
  • Stonebwoy

*awaiting confirmation

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