NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Plea for support: Zim music studio damaged by hailstorm

07 Oct 2026 - 15:37

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Masvingo-based producer Ishmael Majaya has launched a fundraising campaign to rebuild his recording studio after heavy winds and a hailstorm damaged the facility and destroyed or affected much of its equipment.

The storm damaged computers and other equipment were exposed to water after the roof was removed.

The storm struck on 5 October at about 5pm in Mucheke Surburb, Masvingo. According to Majaya, strong winds blew off the studio’s roof before a hailstorm began, with large hailstones damaging equipment inside the building.

The storm lasted for about an hour, during which computers and other equipment were exposed to water after the roof was removed. Majaya said the damage was discovered after a passer-by saw aluminium roofing sheets scattered across the road and contacted him.

“Pretty much everything was hit with ice and was all soaked in water for one hour,” Majaya told Music In Africa.

No one was inside the studio when the storm occurred.

The damage has also disrupted music projects that had already been recorded at the facility. Majaya said computers were no longer functioning and some hard drives had been soaked, leaving the studio unable to record until the building and equipment can be restored.

“We cannot create anything currently since we need the roof fixed first, then new equipment,” he said.

The studio has operated for seven years and has served musicians and producers in Masvingo, particularly those who cannot afford to travel to Zimbabwe’s larger cities to access professional recording facilities.

Majaya said he had also used the space to teach aspiring producers and beat-makers, helping some develop the skills to establish their own studios and careers.

“The studio has been my life for the past seven years. I have dedicated my life to recording musicians and teaching other producers and beat-makers to have their own studios and careers, doing it out of love more than personal gain,” he said.

The damage has affected a wider group of musicians who have used the facility. Majaya said artists and producers visited the site the following day after hearing about the storm.

“Since the place has been running for seven years, it felt like home for our community,” he said.

The immediate rebuilding priorities are repairing the roof and rewiring damaged electrical cables, followed by replacing essential recording equipment. Majaya identified a computer, audio interface, studio monitors and headphones among the equipment required to resume basic operations. Other improvements, including soundproofing, will be addressed as funds become available.

The studio has launched a GoFundMe campaign under the name Finch Music to help meet the rebuilding costs. Majaya said the fundraising was necessary because the studio has traditionally kept its services affordable for local musicians.

“A lot of people cannot afford to travel to the main cities to record and cannot afford the bills. So we have been offering low-price services just to run day-to-day services,” he said.

He added that musicians, businesses and members of the wider community had responded by sharing the fundraising campaign and offering encouragement, while some had indicated that they would explore ways of providing financial or equipment support.

Majaya said the rebuilding would also include measures to make the studio more resistant to future extreme weather.

“We are going to make sure the roofing equipment is durable, strong and well done so that in case of storms or any weather pattern in the future, nothing will be damaged,” he said.

For Majaya, restoring the studio is about more than replacing equipment. He said the facility provides young people with a space to explore creative work and discover opportunities in music and other forms of production.

“It will help young people to express themselves using creative arts rather than being in the streets where they might easily get into drugs and crime,” he said. “We want to help discover new talents, new dreams. We want everyone who is creative to have a chance to express art where anything is possible, without limitations of equipment and quality.”

In addition to music recording, the studio provides voice-over, jingle and commercial production services for local radio stations, which Majaya said helped bring services normally associated with larger cities to artists and businesses in Masvingo.

The GoFundMe campaign, titled Help Us Rebuild After Heavy Rain Damage. Home For Music, is seeking to raise A$3 500. At the time of Majaya’s response, the campaign had raised A$5.

Those wishing to support the rebuilding effort can contribute through the GoFundMe campaign under the name Finch Music or contact Majaya directly at [email protected].

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