NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

New version of Fela’s ‘Zombie’ unites artists from Africa and Middle East

19 Feb 2016 - 12:21

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In the lead-up to the annual Music Freedom Day on 3 March 2016, Freemuse (also known as the World Forum on Music and Censorship) has put together a music video for a unique track, with a group of today’s leading Arab and Iranian revolutionary artists joining together to cover Fela Kuti’s most powerful political song, ‘Zombie’.

Nigerian artist Seun Kuti. Photo: www.ocregister.com

“Music is the weapon of the future!” the legendary Fela Kuti declared shortly before his death. This was true in Nigeria a generation ago and it still is true throughout Africa, the Middle East and the rest of the world today.

The new version of 'Zombie', titled ‘From Zombies to Revolutionaries’, features singers, rappers and producers from over a dozen countries, who have come together to forge an exciting new project dedicated to taking the power of Fela's music and politics and spreading it to a young generation struggling for freedom and dignity in the Middle East and Africa.

The song features an all-star cast made up of Fela’s son (and inheritor of his seminal band Egypt 80) Seun Kuti, Egypt’s “singer of the revolution” Ramy Essam, Moroccan rapper and activist El Haqed (aka L7a9ed, “The Enraged One”), Karim Rush of the legendary Egyptian hip-hop crew Arabian Knightz, one of Iran’s premier rappers (and its first major female one) Salomé MC, and the Paris-based Palestinian-Syrian duo Refugees of Rap, who narrowly escaped Yarmouk Camp in the outskirts of Damascus at the height of the civil war.

The groove for the new ‘Zombie’ was laid down by European band Voodoo Sound Club, in their studio in Bologna, Italy with the support of Russi Brass Band and arrangement by Riccardo Pittau and Andrea Scardovi from Duna Studio in Ravenna. Production was provided by multiple-Grammy winner Anton Pukshansky, Italian producer Andrea Deda, Moroccan-Italian 'Gnawa-funk' master and filmmaker Reda Zine, as well as guitarist, professor and author Mark LeVine.

The track was recorded and mixed all over the world, including Los Angeles, Lagos, Cairo, Casablanca, Paris and Tokyo. The music takes the power of Fela’s original groove and updates it with a hip-hop foundation, without losing any of the original spontaneity and improvisation that have always defined Afrobeat.

The lyrics are inspired by Fela’s powerful criticism of the mindlessness of soldiers and thugs who oppress and kill without thought on orders from superiors - a problem that many citizens of Africa and the Middle East have experienced first-hand. But they are no mere translation of his words into Arabic and Persian; instead, each artist interpreted the original lyrics and used them to write about their own experiences and those of their countrymen and women.

It’s rare to have a song featuring both Arabic and Persian lyrics. This is also the first time that Fela’s music has been recorded by artists from the Arab world. ‘From Zombies to Revolutionaries’ doesn’t just take on the most important problem facing the region today - the refusal of military regimes to allow their people live free of oppression, state violence and massive corruption - but it also heralds a long overdue meeting of Africa north and south of the Sahara, and the Middle East as well.

The track is apparently the first in a series of songs inspired by Fela’s incomparable music and featuring the most powerful political artists of the last decade from the Middle East and Africa: including Morocco, Mali, Nigeria, Iran, Egypt and Palestine. A second collaboration, for Fela's 1977 song ‘No Agreement’, is currently in production, with recording taking place in the Niger Delta.

‘Zombie’ was originally released in Nigeria in 1976, the title track of an album released by Coconuts Records. Listen to the original below. For more on Fela's music as a weapon of social change, see here.


Originally published on 15 February 2016 on Freemuse

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