NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zim artists mourn Morgan Tsvangirai

15 Feb 2018 - 11:21

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The Zimbabwean arts industry is mourning the death of the country’s main opposition leader, Morgan Tsvangirai, who died at a Johannesburg hospital in South Africa yesterday after losing his battle with colon cancer. He was 65.

Morgan Tsvangirai died in Johannesburg on Wednesday.

In Zimbabwe, arts and politics have been closely connected since the struggle for independence from British rule in the early 1970s. This gave rise to the chimurenga genre, which literally means “the fight for struggle”. The genre gained prominence in 1972 with the emergence of its progenitor Thomas Mapfumo, who was one of the first high-profile Zimbabwean musicians to pay tribute to Tsvangirai.

“On behalf of myself, my family and the rest of the chimurenga music fraternity, I am saddened to hear about the death of cadre Morgan Tsvangirai, the founding president of the Movement for Democratic Change (MDC),” Mapfumo said.

“I send my heartfelt condolences to his family, the party and the nation at large. We shall forever remain indebted to him for his revolutionary contribution in the struggle for democracy in Zimbabwe. We lower our banners in honour of this fallen cadre and we shall keep his spirit alive by continuing with the struggle for democracy and good governance in Zimbabwe.”

Mapfumo, a fierce critic of former president Robert Mugabe’s government, applauded the late politician for his continued fight for injustice. “He left an indelible mark as a trade unionist and championed the cause of social justice and economic transformation without fear or favour before he joined the political struggle,” he said.

US-based gospel musician Charles Chipanga told Music In Africa that Tsvangirai was a hope for democracy and the arts sector in Zimbabwe.

“It’s a sad loss of a selfless cadre,” he said. “We all know what he went through in challenging the government of the day on democracy issues. He gave us a song to sing about, gave us hope to wake up to, gave a voice to the voiceless and above all he set the tone and rhythm of the struggle.”

Chipanga also took the opportunity to remind the new Zimbabwean government about the lack of resources towards the arts sector. “We will sing the same tune of democracy and bravery until press freedom is realised, until artists are included in the country's national budget and honoured,” he said.

Germany-based journalist and music critic Plot Mhako also paid homage to Tsvangirai. “It’s a dark day for the country. Morgan Tsvangirai player a key role in changing, shaping, informing and influencing not only the politics of the country but by directly impacting on arts and culture,” Mhako said.

He said the late revolutionary was a role model for many Zimbabwean artists. “His fearless character inspired many artists to stand up and speak out about injustice, bad governance and censorship. His quick-witted character, political messages and often at times misdemeanours fed the creatives with great content and the hard-pressed citizens with much-needed comic relief. His legacy will forever linger and inspire generations to come.”

Veteran musician and producer Mono Mukundu lauded Tsvangirai for standing up to Mugabe’s oppressive style of governance.

“He was the first one to provide a proper opposition in Zimbabwe,” Mukundu told Music In Africa. “The politics of any country is healthy if there is a strong opposition – it provides balance. It’s a sad day for Zimbabwean politics.”

Norway-based musician Busi Ncube said Tsvangirai’s death was “a sad day for Zimbabwe and democratic supporters”.

“I am personally sending my deepest condolences to the family. I hope the road to democracy doesn’t end with him gone. Ndinoti zororai murugare va Tsvangirai [Rest in peace, Mr Tsvangirai],” Ncube said in a note sent to Music In Africa.

“Democracy for us as artists means that we need not self-censor our messages. As artists in music, theatre, spoken word and poetry, it means freedom of speech to sing and say whatever concerns us as a people. That is what Mr Tsvangirai stood for as democratic leader,” she said.

Jah Prayzah tweeted: “My deepest sympathies go out to the late Morgan Tsvangirai's family. We pray that God strengthens and comforts you. May his soul rest in eternal peace.”

Tsvangirai was president of the MDC-T – a splinter party of the original MDC he founded in 1999 – until his death. After making a power-sharing agreement with Mugabe in 2009, he served as prime minister of Zimbabwe until 2013.

Tsvangirai employed the arts, particularly music, as a propaganda tool and to create awareness in Zimbabwean communities about Mugabe’s regime.

In 2013, his party released a five-track pro-MDC-T album entitled Real Change. The album, which was officially launched by Tsvangirai, features songs such as ‘Team Hombe’ (Big Team), its Ndebele version ‘Team Enkulu’, and ‘Magamba Eshanduko’ (Cadres of Change).

In 2009, former MDC MP Paul Madzore released the Tinovarangarira album, which focuses on the MDC’s struggle for democracy.

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