NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Excitement grips SAMRO scholarship competitors ahead of big day

17 Aug 2018 - 14:12

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Five rising young South African composers will compete for top honours at the 2018 Southern African Music Right Organisation (SAMRO) Overseas Scholarships Competition at the Linder Auditorium in Johannesburg tomorrow.

David Klassen will perform alongside Concord Nkabinde at tomorrow's event.

Two winners will be awarded with R200 000 ($15 500) each towards scholarships to pursue postgraduate music studies or professional development overseas. Two runners-up will get R75 000 apiece. This year the organisation included special awards for works that present indigenous African music and the late Surendran Reddy’s clazz style.

The contestants – Ndabo Zulu, Lise Morrison, Conrad Asman, Riley Giandhari and Andrew Hoole – will see their works premiered by some of South Africa’s best musicians.

“We are thrilled to welcome these music creators to the SAMRO family, and excitedly await their music to come to life,” SAMRO Foundation managing director André le Roux said. "We look forward to an evening of cracking new, original South African music on 18 August.”

SAMRO CEO Nothando Migogo told Music In Africa that the contestants would acquire publicity through the competition.

“I know it sounds clichéd but there is already a big achievement in the sense that you get exposure to different networks, channels and people in the industry,” she said. “For me it’s a matter of ‘make the most of what you have’ and obviously on the night, all the best to the finalists. I am quite confident the calibre of compositions is very high, so it’s very exciting.”

The competition rotates in its focus every four years, alternately rewarding outstanding singers, instrumentalists, keyboard players and composers.

Meet the finalists

Music In Africa caught up with most of the finalists during a media briefing at SAMRO’s offices in Braamfontein, Johannesburg, yesterday.

“I am excited and nervous,” media composer and music lecturer Andrew Hoole said. “I am also grateful and thankful that I got this opportunity to be here. Tomorrow is going to be a day filled with rehearsals for us; it’s going to be intense. Two of my works will be performed. I have four rehearsals, two a piece, and I’m looking forward to hearing my music jump off the page onto the stage. Since the announcement I have been looking forward to the 18th knowing that I will find out on that day whether or not I’m going to secure one of the prizes.”

Hoole, who graduated with a master’s degree in composition from the University of Cape Town (UCT) in 2013, has orchestrated the scores for animated films Adventures in Zambezia and Khumba, as well as the international feature Staines. He has composed and produced music for several TV commercials, video and board games as well as digital installations.

Ndabo Zulu, who grew up in KwaZulu-Natal where he learnt music basics with the Field Band Foundation, said the competition had exposed him to the industry.

“I feel very fortunate to be part of this competition,” he said. “For me the highest privilege is that my music will be played and it gives me the opportunity for people to know that I exist as a composer and as musician. The competition has put my name on the scene because this is a competition a lot people follow, and now people know who I am because I don’t live in South Africa. When I began writing music, I started outside the country and people didn’t know who I was until this opportunity.”

Based in Oslo, Norway, Zulu completed his studies in jazz and popular music at the University of KwaZulu-Natal (UKZN). He also studied towards a bachelor’s degree in jazz performance at the University of Stavanger (Norway) in 2017. Zulu is currently enrolled at the Norwegian Music Academy in Olso where he’s pursuing a master ́s degree.

Johannesburg-based composer Conrad Asman said he was looking towards the diverse nature of Saturday’s event.

“There will be a whole range of different music that we’re going to hear; different pieces, styles and players. I always find every concert as a good learning experience for musicians and especially composers.

“Competitions are always a mixture of excitement and nerves. I really look forward to it and I think it’s going to be a great concert. After hearing that I was nominated as a finalist, it gave sort of a pause to realise that I have the potential to be a member of South Africa’s composers. It enabled me the opportunity to take this art of composing to another level. If I win I would definitely use the money to apply overseas,” Asman, who is studying towards a bachelor’s degree in music at UCT’s South African College of Music, said.

Another contender, Riley Giandhari, told Music In Africa: “I am very excited and nervous. I just want to have fun with it and it’s an honour. I’m thankful that I’m here. I really looking forward to Saturday. I would like to go abroad and pursue my studies if I win.”

Born in Durban, Giandhari started playing drums at a young age. He studied jazz at UKZN in 2013 and formed four bands as part of his master’s degree in composition. He retains his childhood passion for percussion and is a session drummer who records and performs regularly with the National Youth Jazz Band at the Standard Bank Joy of Jazz festival in Johannesburg. He has also performed at the Oslo Jazz Festival with Nyimbo ya Bantu. He has also shared the stage with the late Hugh Masekela.

The last competitor, Lise Morrison, who was not present at the event, is a composer of concert music based in The Hague, Netherlands. She holds a BMus from Stellenbosch University and an MMus from the Royal Conservatory of The Hague. Her music has been performed at events across South Africa and Europe, and she was recently invited to the Lucerne Festival for masterclasses and the performance of a new work.

Meanwhile, composer Graham Newcater, who won the first SAMRO Overseas Scholarships Competition in 1962 at the age of 20, was also at Thursday’s media event.

Honouring Madiba

SAMRO will honour Nelson Mandela on Saturday with a collaborative effort between South African bassist Concord Nkabinde and leading drummer and percussionist David Klassen. Titled Nelson Mandela – The Song Lives On, Nkabinde and Klassen’s performance will reflect on Mandela’s love for music.

“The project was formed in 2016 with initial support from the Concerts SA Fund, a project supported by the Royal Norwegian Embassy and the SAMRO Foundation. This work reminds us once again that the Long Walk to Freedom is far from over,” the SAMRO Foundation said.

Tickets for the event can be purchased at Webtickets.

For more information, visit www.samrofoundation.org.za.

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