NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Music In Africa remembers Lucky Dube

18 Oct 2018 - 12:18

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Lucky Dube, South Africa's most successful reggae artist, was murdered in Johannesburg during an attempted carjacking on 18 October 2007. The icon, a multi-award-winning superstar of the genre, spoke not only of pain and suffering in his lyrics, but also of unity, peace, freedom and respect. He was just 43 years old when the incident happened. 

Lucky Dube died on 18 October 2007.

Several events and activities are taking place around the continent, as fans take a moment to remember Lucky Dube on the anniversary of his death.

To mark the anniversary, Music In Africa talked with a few African reggae artists about their favourite Lucky Dube memories and what this day means to them.

Here is what they had to say:

Xumaan: singer, rapper and activist (Senegal)

Personally, I look up to Lucky Dube as one of the Bob Marleys of Africa. There is also Alpha Blondy, but Lucky Dube’s story is different. He came from a poor neighbourhood where apartheid existed and he managed to rise out of this situation. The first time I saw him on stage, I was like, okay, and that’s what I am talking about. The man on stage was in another dimension. His music had a South African flavour and through his lyrics, people were able to visualise what was going on in South Africa, which was truly amazing. As artists and activists we should inspire the youth into asking themselves these questions: how can I get out of the ghetto with music,and how can I inspire those in the ghetto with my music?

The first time I saw him on stage, I was like, okay, and that’s what I am talking about – Xumaan

Adjobalove: singer and activist (Rwanda)

Lucky Dube was a prophet. I have been listening to him for a very long time and everything he warned us about has come to pass. His skills and acumen as a songwriter were sharp and deep, which gave great power as an entertainer. Such musicians are nowhere to be seen at the moment. Many fear speaking against the regime because African governments have become very brutal in their treatment of activists. As artists, we should not relent in the fight for justice and equality. We should strive to do positive things which people will remember us for, just like Lucky Dube did.

Pisco: singer (Burundi)

This is a day observed by playing the songs of the reggae maestro. Today, my Rukinzo Right Band will be playing most of his hits. Lucky Dube was a musician that I loved since I was a young boy, particularly the instrumentals: the rhythm was catchy. He was the most articulate singer of the ghetto and that’s why I was crushed when I head of his untimely death. Even though I never met him, I consider him my father in music. There will never be a musician like him in Africa and the world as a whole.

DJ Ras Nesta: singer and producer (Uganda)

Lucky Dube’s voice represented an era of revolution and a generation of ambitious youth that yearned for a better Africa, free from foreign influence. When he died the lyrics from his songs become sacred and his voice was therapy for many of us. Just like the great Fela Kuti, Lucky Dube was a one-of-a-kind artist with a uniqueness that cannot be compared to anyone else in the African music industry. 'Crazy World' is my favourite song by him because it makes so much sense now: we are truly living in a crazy world, where people are killing each other, politicians are telling lies and so much more.

When he died the lyrics from his songs become sacred and his voice was therapy for many of us – DJ Ras Nesta

Gravitti Band: singers (Kenya)

His music is timeless and the message speaks to people of all ages. Lucky Dube was a pace-setter and an example of how music can be used to positively affect society. He was committed to his cause and this is evident in his output in the studio and his stage presence during performances. As a band we celebrate and pay tribute to his legendary status by including his songs in all our performances. Some of our favourite numbers by him include 'Different Colours', 'Remember Me', 'Back To My Roots' and 'Together As One', among others.

Case Blanco: singer (South Sudan)

Lucky Dube was a patriot, a role model and a freedom fighter. His reggae lyrics - for example, songs like 'House of Exile', 'Different Colours' and many others - confirm that. Growing up, I identified with his music, especially when my country was plunged into war. His music preached about the unity and freedom that we all yearned for. As musicians, from his legacy, we learn that music should not only be for personal gains but for the good of the society. And for those of us doing this style of music, we need not forget that reggae music is a conscious and revolutionary musical style.

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