NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Tech

Watch 9 artists create music in Made in Ableton Live series

23 Jun 2020 - 20:20

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Music-making software company Ableton has launched a video tutorial series called Made in Ableton Live, which explores the creative processes of nine artists.

Germany-based musician Jesse Abayomi is among the artists featured in the Made in Ableton Live series.

The series features musicians, producers and DJs such as Bad Snacks, Eomac, Rachel K Collier, Jesse Abayomi, Keychee, Novaa, Underbelly, Anna Disclaim and Fredric Joachim.

In the video tutorials, which can all be viewed below, the artists give step-by-step explanations to their unique approaches to production, from beatmaking and vocal processing to sound design.

Additionally, music makers will get to learn methods that may improve their workflow on Ableton Live, including signal chain shortcuts and inventive audio routing, among others.

Ableton says each tutorial, which is on average about 20 minutes in length, will have something to offer music makers at any skill level.

“You can see how LA-based producer Bad Snacks slices a live take from her electric violin to get a vibe going,” it said. “Or how techno artist Eomac creates a full-frequency sound palette from field recordings made on his phone.”

Bad Snacks

Bad Snacks uses live takes from her electric violin as a starting point for a warm and melodious house track. With methods like creative panning, MIDI effects and lo-fi processing, she brings warmth, vibrancy and character to her creations.

Eomac

Eomac creates a full-frequency sample pack using field recordings captured in the street on his phone, and produces a techno track with it. Watching his methodology in action is a valuable lesson in sound design, and a perfect demonstration of the idea that there is music everywhere.

Rachel K Collier

Rachel K Collier guides us through intuitive audio routing and live improvisational looping to craft a distinctive, uplifting club track. She introduces the concept of cue mixing, demonstrates her workflow on Push and layers up vocals in this expressive performance.

Jesse Abayomi

Abayomi integrates analog hardware and in-the-box sequencing and synthesis to make a detailed, melodic techno track. He guides us through practical project templates, creates unique presets and employs sound design to achieve a style all his own.

Keychee

Keychee builds up a hard-stepping hit of hip hop-flavored funk using drum layering, automated envelopes, sidechain compression and master effects chains. The end result is a textured, dynamic track layered with rich synth hooks, all created in the box.

Novaa

Novaa showcases inventive ways of processing her voice while remixing her own track for a brooding take on hyper-modern pop. Using effects like autotune and vocoder, she takes her singing in new and exciting directions while promoting the idea of embracing imperfections.

Underbelly

Underbelly structures his track composition around different energy levels. Organisation is key as he shows us how he builds Instrument Racks and navigates his library, but equally important is the sound design involved in making a killer bassline.

Anna Disclaim

Anna Disclaim turns samples and her own voice into data using audio-to-MIDI techniques to craft a distinctive strain of pop-noir. Apart from creating melodic elements using her voice, she also highlights the creative potential when resampling existing parts of a track using Simpler.

Freddie Joachim

Joachim chops up some Rhodes samples, slices drum breaks and lays down some live guitar. From turning shakers into hi-hats to creative quantising and creating stereo width, his session is loaded with classy techniques to make a seriously smooth jam.

More information about the Made In Ableton Live series can be found here.

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