NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Here are the artists you can watch at RBF’s Pan-Africa event

27 May 2021 - 12:34

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Since 2006, Reeperbahn Festival (RBF) in Hamburg, Germany, has been a melting pot for music enthusiasts and artists from around the globe. It is Germany’s largest music platform, employing hundreds of venues in Hamburg’s St Pauli district during four festival days every year. This year, in partnership with the Music In Africa Foundation (MIAF), Reeperbahn Festival will hold the Reeperbahn Festival International Pan-Africa digital event from 31 May to 3 June. The B2B industry meeting will feature panel discussions, keynote addresses, insightful digital company visit, matchmaking sessions and a hybrid showcase experience with European and African artists.

Tems, Awa Khiwe, Yugen Blakrok and Kelvyn Colt.

Ahead of the digital conference, Music In Africa has complied a playlist featuring this year’s showcasing artists, including Tems (Nigeria), Awa Khiwe (Germany), Kelvyn Colt (Germany) and Yugen Blakrok (South Africa), whose performances will be broadcast via the Music In Africa Facebook page on 31 May from 8pm CAT.

Tems

From Nigeria, the country steering the Afrobeats renaissance, singer Tems is becoming one of her country’s biggest musical exports. Despite being relatively new to the scene, the ‘Try Me’ star’s rare and courageous fusion of R&B, neo-soul and indigenous melodies in addressing mainly softer emotions has ensured her widespread admiration among her peers, industry watchers and music lovers alike. Born Temilade Openiyi, Tems has been included in YouTube Music’s Foundry incubator programme and has appeared on prestigious playlists on the leading streaming services globally. She has been associated with African pop greats such as Wizkid and Davido, and is behind a number of successful releases, most notably 2020’s For Broken Ears EP.

Awa Khiwe

Awa Khiwe enjoys a reputation as a Zimbabwean hip hop powerhouse. It is not for nothing. Across music and social activism, Awa’s voice is one that has become a formidable weapon for freedom and the empowerment of women; the first three letters of her stage name stand for ‘African Women Arise’.

“I feel that, as one of the few women in hip hop, I should speak out for women. I could be the voice of many women,” she says. Awa’s music has been characterised by her activism in social issues such as prostitution, domestic violence and teenage pregnancy. Awa’s exciting style is founded on her innovative use of click consonants, which come across in a medley of fiery hip hop and African rhythms. Steadily, Awa is accruing international attention, her music taking her to Germany, the UK, Australia, Belgium, Poland, Switzerland and the Netherlands, among others.

Yugen Blakrok

From touring with renowned hip hop veterans including MC Lyte, GZA and Public Enemy, to soundtracking American blockbuster Black Panther alongside US rappers Kendrick Lamar and Vince Staples, Yugen Blakrok is unstoppable. She is behind two acclaimed albums: 2013’s Return of the Astro-Goth and 2019’s Anima Mysterium. She is widely acclaimed for her highly technical and conscious poetic delivery, which is set in everything from traditional hip hop to acid jazz.

“I love puzzles, I love putting things together,” Yugen told Bandcamp Daily in 2018 of her highly nuanced creations. “I enjoy the research part of my job. I’m a curious person. I think that will translate into everything that I do – even the style of writing. Even the movies and books I love. There’s something for you to figure out as the listener, clues to a story that you already know, you’re just being urged to remember it; fill in the blanks for yourself.”

Kelvyn Colt

To many, German-Nigerian rapper Kelvyn Colt is among the names redefining Berlin’s burgeoning hip hop scene and the future of forward rap. A versatile act who names Kid Cudi and 2Pac among his inspirations, the artist quit rap school to pursue his hip hop dreams. His vision is to be a constant voice of empowerment. Kelvyn Colt is the founder of the independent label TBHG Records. In 2018, he partnered with Mercedes-Benz for his single ‘Benz’. The rapper also joined the car brand’s EQ Community, established in 2018 and geared towards interdisciplinary dialogue on the future of mobility. In addition, he has also been associated with leading fashion brands like Louis Vuitton and Reebok.

For more information about Reeperbahn Festival Pan-Africa, visit the official website.

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