NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Naija Afrobeats songs of 2021

11 Aug 2021 - 10:52

cc-img flag-img

Despite the major challenges it encountered last year, namely COVID-19, Nigerian music, which is also the commercial hub of Afrobeats, is still very much alive and well, thriving with power and pomp. 

Ladipoe, Ayra Starr, Burna Boy and Teni.

Compared to 2020, the first couple of months this year have been less eventful but no less satisfying on the pop front. The West African country is witnessing a streak of impressive submissions. Smash hits from the last quarter of 2020, such as Olamide’s ‘Loading’ featuring Bad Boy Timz, Burna Boy's ‘Onyeka’ and Wizkid’s ‘Ginger’, have continued to amass appreciable rotation in the new year. Nonetheless, an exciting new stack, led by an almost unexpected contingent including Ayra Starr and Bella Shmurda asserting themselves as fresh favourites, is collecting thick and fast in the mainstream.

A malleable music form, it is instructive to observe that Afrobeats is also beginning to embrace pop from southern Africa, most notably the house variant of amapiano.

There’s still an eternity to cover in 2021 and, as has become the tradition, Naija Afrobeats will run over with a delightful mix of soundtracks for the dancefloor, activism and personal emotions, transcending both the shores of Nigeria and the continent.

We bring you the latest instalment of our recurring listicle of the top Naija Afrobeats songs, which will be updated throughout 2021.

Feeling by Ladipoe ft. Buju

‘Feeling’ is not only the brightest moment of Ladipoe’s career but also an iconic one for pop from West Africa. It is rare for a rapper to shoot to the forefront, but Ladipoe, an underground hip hop king for many years, has done it. During a trip to Ghana in 2021, Ladipoe acknowledged this to colleague Sarkodie. Nigerians “respect rap, but they don't really elevate,” he said. “To me, my whole thing is that I want to make a statement. I've been hustling. I’m humble, but I'm ready.”

For You by Teni ft. Davido

On the Davido-assisted ‘For You’, Teni celebrates love, patience and sacrifice, like 2018’s ‘Case’. ‘For You’, whose Dammy Twitch-assisted video is constructed around a tale of prison escape, announced Teni’s debut LP Wondaland, which was released in March.

Focus by Joeboy

Taken from the album Somewhere Between Beauty & Magic, ‘Focus’ was inspired by true events encountered by one of Joeboy’s associates. The majestic highlife record explores the all-too-familiar subject matter of unrequited love.

Loading by Olamide ft. Bad Boy Timz

Taken from Olamide’s last album Carpe Diem, ‘Loading’, featuring the fast-rising Bad Boy Timz, was a December staple, and its impact has carried on deep into this year. On the one hand, the bouncy jam continues Olamide’s run as Nigeria’s biggest rapper today. On the other hand, it ushers Timz in as a new Afrobeats flagbearer.

Kilometre by Burna Boy

The energetic dancehall record is the Afro-fusion star’s first release after his historic Grammy win. Produced by longtime collaborator Chopstix, with Clarence Peters handling the accompanying video, ‘Kilometre’ sees Burna Boy taking stock of his remarkable musical journey, which also saw him grab his third consecutive BET Award for Best International Act in 2021.

Cash App by Bella Shmurda ft. Zlatan and Lincoln

Like his vocal instrument, Bella Shmurda’s ‘Cash App’ is foiled in gusty vibration. Deploying the mobile payment service as a metaphor, the singer discusses the daily hustle and daily victories. Assisted by colleagues Zlatan and Lincoln, ‘Cash App’ premiered in October 2020 to rave reviews. It was published on One World Global Records and has amassed millions of streams on DSPs.

The Don by Mr Eazi

‘The Don’ is how singer and emPawa boss Mr Eazi entered 2021. It precedes his EP Something Else. Additionally, it celebrates the musician’s honcho status in both music and entrepreneurship over the years. ‘The Don’, which gallantly blends pop with the operatic, was co-produced by Killertunes and E Kelly.

Away by Ayra Starr

Ayra Starr is Mavin Records head Don Jazzy’s latest protégé. ‘Away’ is taken from the young singer’s eponymous EP. In the passionate neo-R&B submission, Starr wants nothing more to do with a man who clearly spells trouble. Both song and EP have been met with resounding applause. Thus, Ayra Starr is the latest testament of Don Jazzy’s knack for creating stars.

My Life by DJ Manuel and Zlatan Ibile

Zlatan is known for up-tempo rhythms that spark spirited dance steps. On this new single, however, he teams up with DJ Manuel for a slow-going beat over which they render a heart-wrenching take on the realities of modest beginnings. Ultimately, however, the record preaches light at the end of the tunnel. ‘My Life’ was released on Zlatan’s Zanku Records.

Bounce by Rema

Don Jazzy protege Rema continues his brilliant run with ‘Bounce’, a party anthem dedicated to the sensual movements of a female body during dance. In an Afrobeats climate led by the Davidos, Wizkids and Burna Boys, the Mavin signee continues to chart his own path, drawing from everything from typical African rhythms to Arab and Asian influences.

Yaadman (Intro) by Yung L

Over four collections, the latest of which is Yaadman Kingsize, his sophomore album, reggae-dancehall act Yung L continues to make a case for himself as an important reference for the Afrobeats genre in Nigeria. The bass-heavy ‘Yaadman’ is how the 11-track LP opens. Of its many attributes, including golden trumpet phrases, it is Yung L’s staccato flow that makes this record a winner.

Pronto by Ajebo Hustlers ft. Omah Lay

Dynamic duo Ajebo Hustlers shot to regional acclaim with ‘Barawo’, which questions the merits of jungle justice. On ‘Pronto’ they partner with resident lover boy Omah Lay to amply the song’s lustful gratification. It was produced by Semzi and its video was directed by TBA.

BBC Remix by Blaqbonez ft. Tiwa Savage

Chocolate City Rapper Blaqbonez updates his highly successful vulgar offering ‘BBC’ with a fresh touch from Afrobeats diva Tiwa Savage. The song salutes the utility of an endowed man’s phallus.

Foreign by Bankulli and Not3s

Renowned songwriter, talent scout and Recording Academy member Bankuli recruits UK singer Not3s on ‘Foreign’, whose upbeat vibe toasts financial opulence. ‘Foreign’ followed the uplifting ‘Gemiro’, which was published in 2020.

Rock by Olamide

‘Rock’, which heralded Olamide’s 2021 album UY Scuti, is also the linchpin of the project. At 32, the YBNL boss now sits on nine solo LPs. He has also contributed to five joint projects, making him the artist with the most collections among his contemporaries. ‘Rock’ is a smooth, honest love song, and sees the artist, mostly known for rap, flexing his singing talents expertly.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media