NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Karibu Night blends Kenyan music, fashion at Spotify’s Greasy Tunes programme

17 Jul 2026 - 11:10

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Spotify hosted a music and fashion showcase in Nairobi on 17 July as part of its 12-day Greasy Tunes programme, bringing together live performances and fashion inspired by its Made In Kenya editorial playlist.

BURUKLYN BOYZ is among the artists who performed at the event.

Held during Studio 18’s Karibu Night event at Heltz House, the showcase featured performances by Kenyan artists alongside a fashion presentation centred on the official Greasy Tunes jersey and scarf designed by Studio 18.

According to Spotify, the event was inspired by the Made In Kenya playlist, with designers from Studio 18 reinterpreting the merchandise into a series of looks reflecting the sounds, colours and cultural influences associated with contemporary Kenyan music.

The event featured performances by BURUKLYN BOYZ, Sukuma, Afrikun, Solo, Angelo and Coco Kahi, among others.

Spotify said the Made In Kenya playlist reflects the growing popularity of Afropop among young listeners in Kenya. According to the platform, Afropop listening among Kenyan users aged 18 to 24 increased by 21% year-on-year, while 40% of the playlist's audience falls within that age group.

As part of the Greasy Tunes programme, the playlist artwork changes daily to highlight artists connected to each day's activities. BURUKLYN BOYZ featured on the playlist cover during Karibu Night.

“Made In Kenya is not just a playlist, it is a reflection of how Kenyan youth are shaping culture in real time,” Spotify Africa experiential marketing lead Bea Theron said. “For Greasy Tunes, we wanted to take that energy beyond streaming and create moments where music could meet the other creative worlds it naturally lives alongside, including fashion. Karibu Night showed how strongly music, style and youth culture are connected in Nairobi.”

Spotify also said its June 2026 listening data indicates that users aged between 18 and 24 account for 53.7% of all streams in Nairobi, representing the highest proportion of Gen Z listeners among Nairobi, Lagos and Johannesburg.

The fashion showcase was developed using the Greasy Tunes jersey and scarf as the foundation, with Studio 18 designers producing different interpretations inspired by the Made In Kenya playlist.

“The jersey and scarf were designed as pieces that could live beyond a single event,” Studio 18 co-founder Brandon Zamani said. “For Karibu Night, it was exciting to see different designers within Studio 18 take those pieces and reinterpret them through their own creative language. The showcase became a way of showing how Kenyan music can influence fashion, and how fashion can carry the same energy people hear in the Made In Kenya playlist.”

Spotify said Made In Kenya is one of its editorial playlists dedicated to promoting Kenyan music and currently features artists including Coster Ojwang, Ywaya Tajiri, Bridget Blue, SERRO, Lisa Oduor-Noah, Mutoriah, Njerae and Zaituni.

Greasy Tunes is a 12-day programme comprising 20 events organised in partnership with 12 creative communities across Nairobi. The initiative combines music with food, fashion, comedy, podcasts, sport and other cultural activities aimed at showcasing the city's creative industries.

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