NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

CALL FOR NOMINATIONS:  MANAGEMENT BOARD MEMBERS

CALL FOR NOMINATIONS: MANAGEMENT BOARD MEMBERS

Home/CALL FOR NOMINATIONS: MANAGEMENT BOARD MEMBERS

CALL FOR NOMINATIONS: MANAGEMENT BOARD MEMBERS

call-nominations-management-board-members

As stipulated in our constitution, the current Music In Africa Foundation (MIAF) Management Board is required to step down at the coming AGM on 10 November 2016, but will be eligible for re-election. We are therefore seeking nominations for the Management Board.

Function of the Board

The Board represents the interests of the membership. Its role includes, but is not limited to: devising, approving and amending policies of the Foundation; putting into effect the policy and strategic decisions of the Annual General Meeting; and playing an advisory role in policy implementation, strategic planning, budgeting and programming. The Board meets quarterly by teleconference or frequently as required. It meets in person at least once a year.

Term

Elected members of the Board shall serve for a period of two (2) years and step down at the Annual General Meeting taking place in the second year of their membership, but shall be eligible for re-election, provided that no member of the Board serves for longer than six (6) years.

Available positions

Six (6) seats are open on the Board, including three office bearer positions (Chairperson, Deputy Chairperson and Treasurer). The new Board will decide whether to maintain the existing three additional portfolios (Music Education and Archives, Membership Strategies and International Partnership & Donors Management) or to create new ones.    

Key requirements

  • Experience working with/in NPO organisations
  • Experience or strong understanding of how the music industry works  
  • Policymaking experience
  • Experience or strong understanding of new media, journalism & ICT
  • Experience or strong understanding of music education
  • Ability to learn and gain a strong understanding of the vision and objectives of the Foundation
  • Strategic operational planning experience
  • Fundraising experience
  • Ability to represent the organisation well in your respective region
  • Financial /treasury experience

Regional balance

The Board shall reflect a regional balance in its composition and aim to have a variety of expertise related to the music sector. Where for any reason the elected members of the Board do not reflect a regional balance and/or a variety of music-sector expertise, the Board shall use its co-option powers to co-opt eligible persons capable of achieving this balance and variety.

Eligibility

To be eligible, you should:

  1. be a full MIAF member in good standing (paid current member)
  2. be able to attend meetings of the Board, including conference calls
  3. be able to attend or connect with one in-person Board meeting per year
  4. not be an employee of the Foundation

Voting

Members shall be elected by a plurality of the votes received from the voting members.

Office bearers shall be elected by the Board at their first meeting after being elected by the Annual General Meeting.

Nominations

You can nominate a member (or yourself). Please send your completed nomination form to
[email protected] (and CC: [email protected]). Please keep in mind that some of the information you provide will be presented to other members.

Nominations shall be received no later than 21 October 2016.

All members will receive a list of the nominated candidates on 28 October 2016.

Should you have any questions, please contact [email protected].


CURRENT BOARD MEMBERS

  1. Chairperson                                               Dr. Ribio Nzeza Bunketi Buse (DRC)
  2. Deputy Chairperson                                  Ms. Aisha Deme (Senegal)
  3. Treasurer                                                   Ms. Belisa Rodrigues (South Africa) 
  4. Membership Strategies                             Mr. Bill Odidi (Kenya)                                 
  5. Music Education & Performance               Mr. Seta Ramaroson (Madagascar)
  6. Board Member with no portfolio                Mr. André le Roux (South Africa)
  7. International Partner management            Mrs. Noemie Njangiru (Cote d’Ivoire)
  8. International Partner management            Mr. Jens Cording (Germany)

 

 

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