NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Music In Africa Foundation Annual Report for 2014-15

Music In Africa Foundation Annual Report for 2014-15

Home/Music In Africa Foundation Annual Report for 2014-15

Music In Africa Foundation Annual Report for 2014-15

music-africa-foundation-annual-report-2014-15

Chairman’s Statement:

The Music In Africa Foundation (MIAF) turned 2 years old on 28 July 2015, a few weeks after the end of the fiscal year on which this annual report is based (July 2014 to June 2015). It gives me great pleasure to note that there was significant growth in many aspects of our work in this period.

During the year under review I worked, under the guidance of my colleagues on the Board, to strengthen the Foundation’s profile and visibility in the African music sector. I am pleased to see how we have quickly established a reputable professional profile on the continent. We have been able to establish more partnerships with like-minded organisations that are keen to join efforts in enhancing the African music sector. These engagements are crucial to the Foundation, particularly in this phase wherein we explore sustainable means to grow our offline activities.

Developments happening globally show us that the role of the internet and new technologies are becoming even more critical than we imagined. For example, the International Federation of the Phonographic Industry (IFPI) this year reported that global digital revenues increased by 6,9 per cent in 2014. I believe that it is our role as a pan-African, music-focused organisation to explore what role we play in this context. I am particularly pleased that some of our work in the past year contributed to encouraging young people in disadvantaged areas to employ new innovations in producing, marketing and consuming music. That is the key to our partnership with the Wired For Sound project, where young musicians in rural communities in Malawi were encouraged to record songs in remote studios powered by solar energy.

At the same time, we have recorded many great advancements with our flagship offering, the information and exchange web portal www.musicinafrica.net. Our coverage of the continent has improved not only in quantity but also in quality and diversity. Our content contributor network continues to grow and content-related strategies have been further improved with a view to address key issues such as reach and sustainability.

On a governance level, we have this year appointed 4 committees to assist the Board on a number of areas, namely the Content Committee, the Risk Management Committee, the Membership Committee and the Human Resources Committee.

Appreciation

This year will unfortunately be the last for Ms. Henrike Grohs as a board member. She will be replaced by Mrs. Noemie Njangiru at our 3rd AGM. On behalf of the foundation, I want to acknowledge the many key roles that Henrike has played in the formation of the Music In Africa initiative. To her we say thank you very much and we hope that you will continue to collaborate with the Foundation in the various ways that are available for members and Goethe-Institut offices across Africa.

In closing, I would like to thank the staff of the Foundation based in Dakar, Kinshasa, Nairobi and Johannesburg for their valued commitment. The leadership of our Director, Mr. Edington Hatitye, is highly appreciated in managing the day-to-day affairs of the Foundation.

I am also grateful to my colleagues from the Management Board for their consistent contributions and support to see the Foundation emerging as a leading source of information and exchange for the African music sector. Special thanks go to the Siemens Stiftung and the Goethe-Institut Sub-Saharan Africa for their much-needed support. We look forward to further strong and fruitful collaborations.

Ribio Nzeza Bunketi Buse – Chairperson

 

 

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