NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Music In Africa Foundation Annual Report for 2017-18

Music In Africa Foundation Annual Report for 2017-18

Home/Music In Africa Foundation Annual Report for 2017-18

Music In Africa Foundation Annual Report for 2017-18

music-africa-foundation-annual-report-2017-18

Music In Africa Foundation Chairperson Ms. Aisha Deme

I am pleased to submit my last report as chairperson of the MIAF. I feel privileged to have been part of the Music In Africa initiative since its inception. And I am particularly grateful to have had the opportunity to serve on the Board since 2013, leading to my appointment as chairperson in 2016.

The MIAF’s growing presence and influence across Africa is truly irrefutable and extremely exciting. I strongly believe in our work and I am proud to see our Foundation as a pillar of growth, exchange and development in the African music sector.

The year under review has been a strong one once again. We have diligently pursued our objectives in an ambitious yet measured manner, advancing our offline projects considerably while maintaining our focus on growing the Music In Africa portal. Continued growth on the portal is not only seen in the exponential reach and increase in our published content but also in the number of documented music professionals on the portal. An important development is that we have now extended our research and coverage to 38 African countries with more than 600 key research commissions completed over the past five years alone. This is important and will serve as confirmation that our envisaged target to cover all 54 African countries by 2022 is well on track.

Over the last few years, our strategy to develop our work beyond the online portal has taken significant steps. In the year under review, we successfully launched the ACCES music conference – a great platform that will go a long way in facilitating exchange and growth in the African music sector. Having had ACCES launched in my home town Dakar last year, I fully appreciate its power as an elaborate platform for musicians, professionals, service providers and the sector as a whole to engage and shape strategies for the future.

The Music In Africa Connects project, which we introduced in 2017, had its peak phase in the year under review, supporting some 80 bands and 11 festivals with funds and administrative support to organise local and regional tours in over 10 countries. In addition to this we were able to introduce a range of training initiatives in countries such as Somalia, Chad, Mali, Sudan and Nigeria.

The increasing economic challenges across the globe will continue to put pressure on organisations such as ours. I remain confident in the MIAF’s commitment and ability to address these issues going forward. This year, the MIAF will welcome a new board at its 6th AGM in Nairobi, Kenya. I am pleased to say that we have received very strong candidates with the right functional skills required to further the Foundation’s agenda going forward.

Appreciation

It is with a great sense of appreciation that I acknowledge and thank my colleagues on the Board and advisory committees for their wise counsel.  On behalf of my colleagues on the Board, I would like to thank our director Mr. Edington Hatitye for his strategic leadership and our staff for their outstanding care and hard work. I want to acknowledge our founding partners Siemens Stiftung and Goethe-Institut, whose continued support has taken us this far.

Once again, I am honoured to have been entrusted with the duties and responsibilities of being the chairperson of the MIAF for the past two years. I thank you all for being part of this journey, and I remain confident that the MIAF will continue to grow by leaps and bounds, and with the interests of its members at heart.

Miss Aisha Dème – Chairperson

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