NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Luyolo Lenga
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Luyolo Lenga

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East London, South Africa

In operation since:

2018

Contact person:

Luyolo Lenga

BIO

Implanting a conscious appreciation of the spiritual and socio-economic, Mdantsane raised composer, author and music arranger, Luyolo Lenga, pays homage to the isiXhosa language; accessing ancestral sounds from ancient bow and percussion instruments, utilizing classical techniques that traverse through culture and time by gathering elements of isingqi sakwantu, jazz and a range of contemporary music styles.
He became a Sound Engineer/Music Producer after graduating from Cape Audio College in Cape Town in 2000 and has since established himself as an independent producer and started his own music production company, Qangi Qangi Sounds.
In 2006 he released an album as part of an indigenous hip-hop duo, Izithunywa Zohlanga, where in 2007 became a community of musicians, forming a fusion band, Udaba. After having collaborated with a number of bands and contributed in many records over the years, in 2019, Luyolo released his much anticipated debut solo EP, Siphiwo Sam, an offering that embraced the complexity and beauty of his music gift (calling). The release of his debut album, Sabela, an isiXhosa word meaning “heed the calling”, followed in October 2020, an ethereal body of work encouraging discourse on issues of spiritual awakening, the rising incidences of femicide in South Africa and the world, adverse poverty and the mismanagement of state funds, triumph, identity and the vibrancy of his culture.
He released a Production Music Album, Traditional South African Folk - Guitars and Bows, with Mama Dance Music Publishing and in 2021 contributed on another Production Music Album, Atmospheric Africa – Harps, Bows and a Hand Pan, also released with Mama Dance Publishing and distributed by Universal Music Production. These albums are available on all major digital stores and are being played extensively on various DSTV adverts, shows and drama series's.
His work has also had an international footprint as a collaborator on music scores with acclaimed US based composers Salil Bhayani on the film, Empty Land Myth which won the Jury Award for best film at the Annency Film Festival in 2023. In 2024 he collaborated with master composer John Powell on scoring music for Grammy Award nominated film, The Last Ranger.
He started 2025 on good footing as he was also a recipient of the Music In Africa instrument making and repair programme where him and other trainees were taught how to make and repair an instrument called the Balafon. In May 2025 he released his long anticipated single Izimvu Zakuthi featuring violinist Candice Moleshe from his upcoming album Mvelo.
With his love for sharing his gift through the stage, Luyolo has performed in venues and events such as StageIt (NY Time Square), Cape Town Jazz Festival, Grahamstown National Arts Festival, Pan African Space Station Festival, AfroFest, Baxter’s Zabalaza Festival, The Muizenberg Festival, The Raiz Festival, Soweto Theatre, Alexandra Theatre, The Market Theatre and an artist residency in Mozambique.
This is an exciting year for Luyolo as he continues to make isiXhosa indigenous bow instruments as well as offer workshops to communities, festivals and master-classes to universities, on how to make and play them. He is also in deep mediation as he is in process of working on his upcoming album, Mvelo, an ode to nature and creation, which will be released in September 2025. Luyolo looks forward to sharing the distinct rhythm of gifts, unearthing ancestral incantations and self-actualization, with each and every part of the world.
‘’Spirituality is life and I’m a spirit being before I am an artist. Therefore it is of utmost importance that I respect and protect every soul I come into contact with, in life I have experienced and caused excruciating pain to myself and others and I have found healing in song and spirituality. If my music does not introduce or connect you to a higher version of yourself then all my efforts are in vain’’: Luyolo Lenga.

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