NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Downtown Music Hub
Downtown Music Hub

Downtown Music Hub

Recording Studios
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Profile added by Jens Cording on 05 Jun 2014

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Johannesburg, South Africa

In operation since:

1979

Contact person:

Downtown Music Hub

BIO

Just what is the Down Town Music Hub? Is it a recording studio? Or is it more of a venue? Is it a training and development resource, or is it a community centre? An archive and information resource? The short answer is: all of the above.

Located in the heart of Jozi’s evolving CBD, DownTown Music Hub is an established studio and rehearsal space that creatively incorporates a set of unique features with a special heritage. Starting out in 1979 as RPM Recording Studios, DownTown Studios proudly flies the flag as one of the oldest surviving big recording studios in Johannesburg, having offered artists a truly inspirational and openly creative space for decades.

Over the years we’ve hosted some of South Africa’s greatest musicians as they crafted their classic recordings. From Miriam Makeba, Hugh Masekela and Lucky Dube (to name a few), we’ve recorded them all, nurturing genres as diverse Kwaito, Bubble Gum, Hip Hop, Jazz, Rock and Pop and providing artists from all backgrounds a safe creative haven during the political turbulence of the 1980s.

This unique recording pedigree has put the studio in the privileged position of housing one of the most comprehensive and important archives of South African music memorabilia. Under the banner of the DownTown Museum of South African Music, the Department of Arts & Culture initiated a permanent and evolving exhibition featuring ephemera from costumes to photographs to documents to tapes, offering visitors the chance to engage with the full spectrum of our country’s incredible musical output.

Following an extensive revamp in 2015, DTMH has evolved from a dedicated recording and rehearsal facility to becoming a unique catalyst in developing local talent. The studios, equipped with a diverse inventory of both modern and classic recording equipment, attract award-winning producers and engineers from all over the continent, all ready to craft the next generation of unforgettable hits.

But the buzz isn’t limited to the studios.

By opening up to the creative industry as a whole, DTMH stands as a meeting point for the city’s creative community and a platform for the job creating business networks that support a vibrant, diverse and sustainable music industry. The dynamic space allows us to host music industry related workshops, master-classes and events where industry entrants get the chance to interact with more experienced musicians and producers, encouraging collaboration, growth and learning.

It’s not just about developing a strong local component either. As caretakers of a comprehensive music industry facility and information resource, we have also created a unique opportunity for South African musicians to work with our neighbours for truly Pan-African collaborations, making South Africa a go-to destination for top international artists.

We have a diverse range of offerings, from rehearsal rooms, office space for music related businesses and a rooftop venue for album launches and film shoots; but at the heart of all, we remain one of the best recording studios in the country and one of the very few South African complexes with the space to properly record choirs, brass bands and large ensembles for everything from albums to soundtrack scores.

This matters because it makes us one of the few spaces that allow the revival of classic recording processes. Our studios give artists the opportunity to truly play together in the studio, recording in the time-honoured fashion that captures the essence of band dynamics. It’s a space where music is in the walls and where artists can draw inspiration from a rich studio history where today’s artists can record their hits in the home of their heroes.

It’s an organic setting where musicians and their music can breathe and grow
And no matter what enhancements we make, our recording spaces are the one thing we’ll never change; because we know it’s better in a BIG studio!

DTMH: Where Music Lives
www.dtmh.co.za

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