NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Accra, Ghana

In operation since:

1969

Contact person:

John Collins

BIO

John Collins is a naturalised Ghanaian who came to Ghana from Britain in 1952 and has been involved in the West African music scene since 1969. He is a guitarist, harmonica player and percussionist and has worked, recorded and played with numerous Ghanaian and Nigerian bands; the Jaguar Jokers, Francis Kenya, E.T. Mensah, Abladei, Fela Anikulapo-Kuti, Koo Nimo, Kwaa Mensah, Victor Uwaifo, Bob Pinodo, the Bunzus, the Black Berets, T.O.Jazz, S.K. Oppong and Atongo Zimba. In the 1970’s he ran his own Bokoor highlife guitar band which released 20 songs and in the 1980s and 90s operated his Bokoor Recording Studio 8 miles north of Accra which recorded 200 bands

Collins is also a music journalist and writer with over 100 journalistic and academic publications (including seven books published in the UK, USA, Ghana and one forthcoming in Nigeria) on African popular and neo-traditional music. He has given many radio and television broadcasts, including over 40 for the British BBC. Collins has been a film consultant/facilitator for several films on African popular traditional and art music.

Collins obtained his first degree (Sociology & Archaeology) from the University of Ghana in 1972 and his Doctorate in Ethnomusicology at the State University of New York at Buffalo. He has given lectures/workshop in Canada, the USA, UK, Scandinavia, Holland, Germany, France, the Caribbean, Ghana, Mali, South Africa and the Cote-D’Ivoire. He has been a resident research-fellow at the North-western Univ. African Studies Department at Evanston in the US and Dartmouth Art College in the UK.

Collins was on the Executive of the Ghana Musicians Union (MUSIGA) in the 1970’s and, together with Professor J.H.K. Nketia and the Ghanaian folk-guitarist Koo Nimo, was in 1987 made an honorary life-member of the International Association for the Study of Popular Music (IASPM). During the 1990’s Collins was Technical Director of the three-year joint University of Ghana African Studies Department/Mainz African Music Re-documentation Project, and for seven years was with the Ghana National Folklore Board of Trustees/Copyright Administration. In the summer of 2000 Collins teamed up with fellow guitarist Koo Nimo and went on a performance tour of the US eastern sea-board with him.

Currently Collins is the Acting Chairman of the Bokoor African Popular Music Archives Foundation (BAPMAF) formed in 1990 that operates a Highlife Institute that was opened to the public in Accra in 2007. He is a patron of the Musicians Union of Ghana (MUSIGA). Between 2000-3 was a consultant for a World Bank project to assist the African music industry and is currently working as a consultant with MUSIGA on gathering statistics on the Ghanaian music industry .

He is a Full Professor at the Music Department of the University of Ghana where he has been teaching since 1995 and was Department Head between 2003-5. From the Department he co-runs (with Aaron Bebe Sukura) the Local Dimension palmwine highlife band that toured Europe in 2002, 2004 and 2006 and released a CD in 2003 entitled 'N’Yong' on the French Disques Arion label.

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