NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Abiodun Odukoya
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Cologne, Germany

In operation since:

1994

Contact person:

Abiodun Odukoya

BIO

The new album "Break Free" by Abiodun (from BANTU) aka DON ABI was released on the 26/10/2018: www.smarturl.it/break-free-2018. Recently, Abiodun released an afrobeat-rock song, called "Alarm Don Blow": www.smarturl.it/alarm-don-blow - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Abiodun is a veteran in the music industry and has contributed to more than 25 releases since the mid 1990s under the moniker "Don Abi". He is a traveller with a cosmopolitan consciousness and a universal message, that is as timeless as relevant. He has an uncompromising and powerful sound filled with passion and depth. He manouvers playfully through an individual and contemporary sound universe and his music fuses classical elements of soul, blues, funk and rock with Abiodun’s African roots. The upcoming album "Break Free" (to be released in November 2018) is a natural progression of his musical artistry over the past two decades. It’s a retro-modern journey through Abiodun’s musical world. The German-Nigerian singer and composer is one of the most interesting, international commuters of a new Urban Roots Movement contributing to the current music culture with diversity and vibrancy. Growing up in Europe and Africa he has been influenced by the best of both worlds. He is a co-founder of the Afro-German musical collective Brothers Keepers. Their song "Adriano, die letzte Warnung" (Adriano, the final warning) was released in 2001. It became an anti racism anthem selling well over 220,000 copies and making it to the Top 5 of the German pop charts. The sophomore album Am I my Brother’s Keeper? was released on Sony Music in 2005. As a Solo-Act Abiodun has released under the name of Don Abi two cross-genre albums: Act of Love (V2 Records 2003) and No Philosophy (Toolhouse Recordings 2007). Check out the complete discography. In addition to his solo career, Abiodun for many years collaborated with artists like Maceo Parker, UB40, Patrice, Xavier Naidoo, Gentleman, Keziah Jones, Gregory Isaacs and Burnt Friedman. In 2005 Abiodun played a key role on Bantu’s Album Fuji Satisfaction which won critical acclaim and the Kora Awards as Best Group West Africa and Best Group Africa. On the album and at concerts Abiodun is supported by his four-piece band The Ajazcorock, consisting of experienced jazz and pop musicians. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Abiodun is probably one of the artists you have already heard of, but probably do not know. He has been active under the moniker "Don Abi" collaborating with artists such as Gentleman, Xavier Naidoo, Patrice, Gregory Isaacs, Keziah Jones, Bantu and Maceo Parker since the mid-1990s. He gained fame in Germany as a member of the Afro-German collective Brothers Keepers which sold over 220,000 copies of their single "Adriano (the final warning)". "Alarm Don Blow", is the second of several singles from his upcoming album "Break Free", to be released in the Fall of 2018. It marks Abiodun's comeback to the concert halls and music industry. The single is only available on all major digital download and streaming platforms.

Photos

Music

Abiodun - Girl Like You (Live Version)

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05:22

Abiodun - The Way You Do Me (Live Version)

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04:35

Abiodun - Break Free (Live Version)

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04:26

Abiodun - Keep The Faith

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03:44

Abiodun - Alarm Don Blow (Live Version)

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04:45

Abiodun - African Style (Live Version).wav

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03:48

Abiodun - African Style

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03:12

Abiodun - My Money

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03:48

Abiodun - Girl Like You

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03:41

Abiodun - Living for the positive (Free Download)

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03:36

01 Be Good (Prologue)

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03:18

02 Break Free

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04:24
Abiodun

Abiodun

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