NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Banned from the Land
Banned from the Land

Banned from the Land

Bands /groups, Session artists
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East London, South Africa

In operation since:

2021

Contact person:

Banned from the Land

BIO

BANNED FROM THE LAND
PROFILE
MANIFESTO
As a band, our point of departure is a belief in the necessity of free expression within urban environments. We are convinced that contemporary living conditions can restrict one's ability to genuinely express themselves. Through our music, we aim to counteract this limitation. We define our genre as urban folk, dedicated to narrating stories that inspire us toward a greener and more peaceful future. Our songs are crafted to capture the essence of urban life, blending traditional rhythms with modern sounds to create a soundscape that resonates with the heartbeats of the city. We invite listeners to embark on a journey with us, where the echoes of the past meet the possibilities of the future.

In our performances, we strive to create an atmosphere that is both intimate and inclusive, encouraging audiences to reflect on their own experiences and find common ground in the shared human condition. Our music is not just for listening; it is an invitation to participate, to feel, and to imagine a world where everyone can thrive. Through our art, we aim to break down barriers and build bridges, fostering connections that transcend the boundaries of language and culture.
ENSEMBLE
BANNED FROM THE LAND is a South African music duo made up of artists Amandla Akhona and Xhanti Nokwali, both hailing from the Eastern Cape. Their sound captures a modern interpretation of tradition, as they explore indigenous African instruments to define their musical identity.
Amandla Akhona is a Band Leader, Storyteller, Multi-instrumentalist, Vocalist and Songwriter who hails from kuCentane in the Eastern Cape. Amandla Akhona is inspired by indigenous sounds, culture and the resolve to own and work the land.
She founded the band which has captivated the hearts and minds of audiences by blending vocals, guitar, alto saxophone and a host of indigenous instruments: uHadi, uMrhubhe, isitolotolo to name a few, creating their signature and memorable sound.
They are inspired by the melodic structures, rhythmic patterns and harmonic textures of abaNtu, drawing very deeply from the Xhosa Nation in all its manifestations. Within that, even the untrained ear can clearly hear influences of classical, jazz and afro soul, resounding from the background nurturing these sounds back to their source.
The band also plays a significant role in training of the individual artists, and also collaborating with many creatives to explore the possibilities of reaching musical elements that inspire audiences.
The ensemble was established after a residency in the Karoo where the two artists were participants. This collaboration is a means to draw attention to and to dig deeper into ancestral technology and ways of being as an alternative and even a bridge in the times of modernity.
The ensemble has been seen on stages such as Awakening Social Sessions in the Northern Cape, Selective Live in Cape Town, the Learning Clan Festival held in Riveersonderend and in Soweto in Commemoration of the June 16 Uprising.

Recently the Duo was a recepient of the FEC Concerts SA Live Music Mobility Susidy 2025, enabling the band to do a nation wide tour covering Gauteng, KwaZulu-Natal and the Western Cape.

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