NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

flag-img

London, United Kingdom

In operation since:

1972

Contact person:

Black Slate

BIO

Black Slate is a renowned, international reggae band from the UK.

In 2020, the group featured on a short documentary titled 'Young, Gifted & Black'. The aim of the documentary is to encourage young people to never given up on their plan.

The band comprises Anthony “PureSilk” Brightly (Keyboards), Chris “MusicHouse” Hanson (Lead/Rhythm Guitar) and Desmond “Drummy” Mahoney (Drums/Congo). The group has earned the right to stand amongst the greats in the world of reggae music. Like the female energy that tends and nurtures life, they have developed and nurtured their sound. From a vibe with a unique audio ID that has taken well over forty odd years of research and cultivation, with the help of a group of talented and respected former band members, new members and session musicians who all have played a part in assisting this great seed of musical wealth.

Brightly, backed by a father’s love for recording and producing jazz music, acquired a DNA explosion which ignited his passion for reggae music and the conception of Black Slate.

Hanson was an electrician whose passion for reggae caused him to move in various musical circles until the magic touched him. Eventually he joined forces with other great reggae orientated minds and created the ultimate Black Slate.

Mahoney is an engineer with light feet and an excellent tradesman in his field. He was an even greater dancer on the reggae youth scene. To top it off Desmond was a drummer extraordinaire, with a limitless talent aimed at reggae music. These are the skills he brought to the table with a pure love that created the foundation of Black Slate.

These three members are dedicated to reggae music with such passion, that even with the split of the very successful first Black Slate they never gave up.

Brightly opened several booming reggae night clubs. He also records and produces many different artists plus labels. In addition, Brightly has joint entrepreneurial ventures with Chris, his lifelong friend. Hanson’s electrical skills continued in the music business when he created house music, which gained its own instant fame from cutting dub plates and masters for every genre that required it in the music industry.

Who is Black Slate?

Black Slate was formed in the United Kingdom in 1972 and worked originally as a backing band, members would work with other Jamaican artists like Leroy Smart, The Heptones, Johnny Clarke, Ken Boothe, Dennis Brown, Jimmy Cliff, Toots and the Maytals, Sly & Robbie and Peter Tosh. In 1975 Black Slate became their own group and had a hit in 1976 with the song Sticks Man. The band had other successful songs during this period like Mind Your Motion,Boom Boom and the the massive world wide hit: Amigo.

During this period the Black Slate band would travel on thirty day tours as a support act for artists like Peter Tosh with whom they toured with on several occasions. The tours were all across Europe to Holland, Belgium, Germany, France, and throughout Italy. Wherever there were music festivals the band was present on the lineup. The band also performed at the Rainbow Theatre in London to a sold out crowd and shortly thereafter toured to Australia and New Zealand.

It was during this period that the British rock and roll explosion was happening and in reggae there was a parallel contingent happening with groups like Aswad, Steel Pulse, UB40 and Black Roots all taking off during this period from the years 1977-1979. It was also during this period that the “Rock Against Racism” movement was taking shape and Anglo bands like The Jam, Generation X and Adam and the Ants were teaming up with their Afro-British counterparts.

The band began to grow weary of touring to this degree. Three of the original members chose to take a hiatus from touring life to help raise their families and establish sustainable business ventures. Although the original lineup’s lead singer and bass guitarist decided to carry on with touring with a new lineup. The rest of the band started families secondary businesses and decided to remain at home in the UK and build businesses

Some of whom were already pursuing careers outside of the band, in particular Anthony Brightly who was a well-regarded DJ often leaving performances to crowds of 500 people to go and spin records to a crowd that was twice that size. As a DJ Mr. Brightly would become a driving force in the advancement of Lover’s Rock and UK reggae in general through his work as a Disc Jockey, Club owner, Artiste Manager and event promoter, shaping airplay and artist growth both at radio and in the club setting. In 1987 Mr. Brightly also became the manager for sound system collective Stone Love Movement and was instrumental in shaping their career globally to become the biggest touring sound in the world.

Original member Chris Henson became a sought after mix and mastering engineer, adding his unique touch to thousands of songs over the past several years right up to the present. He founded Music House Dub Cutting, Mastering and Processing which over the past 25 years has been responsible for 80% of the mastering in reggae albums including releases such as the recent EP by Chronixx 'Dread and Terrible'.

Mr. Brightly relocated to the Caribbean island of Antigua in order to raise his young boys in a different environment outside of the UK. When these original members’ children began college, they determined it was time to hit the road again.

Their latest album 'Peaceful Demonstration' is released on the on TCD Records the label named for Tony (Anthony), Chris and Desmond, the original members of the band founded in 1972 in the United Kingdom. After 40 years in the music business, the deep roots reggae band returns with their first full-length album released since the album SIX PLUS ONE in 1982 which was released digitally in 2014.

email:[email protected]
UK Tel:44 207 096 0490

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media