NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Ishan Cyapital
Ishan Cyapital

Ishan Cyapital

Bands /groups, Solo artists
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Profile added by Ano Shumba on 31 Mar 2015

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Lilongwe, Malawi

In operation since:

2008

Contact person:

Ishan Cyapital

BIO

Ishan Cyapital (born on 30 October 1992) is a reggae, dancehall artist, singer, songwriter, actor, activist and model from Malawi. He was born in Balaka township in the southern region of Malawi to parents Ishmael and Shamim Jussab. The youngest of five, two sisters and two brothers, Ishan draws influence from his older brothers Teebz and Jeelz and his uncle Tackie T. Twin brothers Taleeb and Jaleel Jussab formed a dancehall duo (Teebz & Jeelz) in 2004 paving way for Ishans solo career in 2007 with his first track Tick-tock produced by Malawian\Scottish producer and relative Sean Loc.

His uncle Tackie T is one of the earliest ragga music pioneers in Malawi, he was active in the 1990s with a few hit songs that enjoyed air play on Malawian radios. Ishan has always been an entertainer from a young age, he used to disk jockey at family gatherings and perform at school talent shows especially during his secondary school days. His first recorded song was with well-known music producer and relative Sean Loc. Rapper and producer Sean Loc played a major role in Ishan’s mentorship as they collaborated on multiple songs including 'Paranoid', which featured renowned R&B singer and songwriter Theo Thompson in 2009.

Ishan went on to perform at the 2010 Lake of Stars Festival a month before his 18th birthday being one of the youngest artists to adorn the stage at Malawis most prestigious event. Ishan and his brothers formed Di Elite, a group consisting of the trios fusion of unique voices and delivery styles. Di Elite is now also a 360 Media Company headed by Ishan with the help of Teebz and Jeelz.

Ishans acting career took off after playing the role of Jones in Malawian local soapie Issues 265. The eight episode series features Jones, a rich playboy out to break women's hearts, with other renowned Malawian actors like Edwin Chonde and award winning actress and director Brenda Nselu. Ishan has also played a role of a Kidnapper in Unicefs Anansi TV Series directed by award winning Malawian actress and director Flora Suya in 2020.

Better Must Come

'Better Must Come, featuring his Brother Teebz is the latest single from his debut album, 'AWOL: African Way Of Life', The song is a social commentary on ongoing issues of poverty, environmental problems, social, regional and tribal divides… 'Better Must Come', is available on YouTube, Deezer and all major streaming platforms. You can also purchase the 'AWOL' album on all leading music stores.

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