NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Phathwakahle Mabuza
Phathwakahle Mabuza

Phathwakahle Mabuza

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Manzini, Swaziland

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Phathwakahle Mabuza

BIO

Phathwakahle Mabuza, also known as Queen of Swazi gospel, is female gospel artist from Manzini, Swaziland. She shot to fame after releasing her famous album ‘Akezeli Akalali’, released in 2010, with the hit track ‘Kukhona Okuzowendzeka’.

She returned again with another powerful album titled ‘Ingadlangadla’, which also took the Gospel music industry by storm. The release of the album unleashed a busy schedule on her and she had to deal with an avalanche of invites to perform at roadshows, promotions, corporate events and many other important functions.

Following a sabbatical from the local gospel music scene, she made acomeback with the release of her fifth album titled ‘Sekonakele, Jehova Sewehlile’. The project features tracks such as Sekonakele’, ‘KuJesu kuyenzeka’, ‘Buntu’, ‘Buntfu Izigi ‘and ‘Vuthelani’.

Phathwa attributes her success to God and the support she receives from her husband and manager Gcina Mabuza.

In 2013, she received double awards at the NACA awards as the Best female Artist and was voted by the public as the Most Popular Artist. She has been nominated for the Crown Gospel Awards, South African Traditional Music Association (SATMA) Awards and the local Gospel Music Awards, the then Tihlabani Awards among others.

She has graced many a stage around the country and beyond Swaziland. She has performed before His Majesty King Mswati III, Her Majesty Indlovukazi, and during the Cabinet Swearing in ceremony. She was also among the few local artists who performed at the Prime Minister Dr Sibusiso Dlamini and Pastor Joy Maziya’s wedding.

Among the many shows she has graced is the state opening the country’s parliament which is regarded as the most important ceremony of the year where the King guides the nation on how the year is expected to turn out.

She has gone beyond the country’s borders where she graced many stages including Ukhozi FM Easter Festival at Port Shepstone in South Africa, the Nelson Mandela’s Prayer at Mbombela Stadium and the Mpumalanga Arts and Culture and the 2013/2014 cross over at Mbombela Stadium.

She also shared the stage with US Gospel artist Kirk Franklin during the Gospel Blestival at Mabida Stadium in Durban last year.

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