NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Johannesburg, South Africa

In operation since:

2015

Contact person:

RNSU

Contact:

0730821603

BIO

RNSU Is Stepping Into The Game With A Bang! Born Sebetli Frans Tshelane, RNSU (pronounced Ransu) is a South African rapper/songwriter and presenter based in Johannesburg, South Africa. RNSU, raised in the town of Lephalale, is a fresh talent with a distinct, punchy and energetic flow. He is currently signed under Jawelane/Impact Sounds who are independent South African record labels.

In most cases, managing to get into the mainstream music industry requires more than just talent. Everything about the artist has to be in synch, especially the music and those behind the scene. One artist who seems to have made the most of his talent is Sebetli Frans Tshelane best known by his stage name, RNSU (pronounced Ransu) who is has released his latest studio single titled FIND MY WAY which features afro-soul sensation, Malik and the 3-time Grammy Award-Winning Soweto Gospel Choir.

The new single FIND MY WAY, produced by the legenary music mogul and Motswako originator Thasman, is a fresh tune that tells a real story of what some people might be going through in life. “This is one song that breathes life to the hip-hop genre, working with Soweto Gospel Choir and Malik was such a blessing and their industry experience, vocal contributions, and my rhymes made this song unique, and easy to relate to.”

RNSU grew up listening to a variety of music but when in high school, he started bending more towards hip-hop. It was around this time that the talented emcee started jotting hip-hop lyrics. “That time I was listening to a lot of international hip-hop acts and the local artists were my go to references for vibing out, which is where I was drawing my inspiration from” says RNSU.

Things took a turn for better when he moved from his hometown to the Vaal in 2014 where he was studying at the Vaal University of Technology. Often more than not, he would lock himself in the room, polishing his writing and rhyming skills. “I think it was 2016 when I teamed up with a roommate who was studying music production. It was this time that we recorded a number of songs and one of the first single we released was called ‘Shots’ – a trap infused song.

This tune eventually led RNSU to meet Thabiso Moral Thobane, the music executive and founder of the South African record label Jawelane. This introduction cemented a great working relationship with Thabiso Moral Thobane leading the rapper to finally working with an experienced producer and in a professional studio. Even though nothing materialised from the studio sessions that RNSU had, the two never gave up, instead continued on improving the rapper’s sound, and vigorously working on their industry relationships.

Eventually, RNSU found himself in studio working with one of South Africa’s experienced and versatile music doctor, Thabiso ‘Thasman’ Tsotetsi. Grabbing this opportunity with both hands, the rapper has been tirelessly spending so much time in studio with Thasman recording his forthcoming album but also joining forces with other artists who have been in the industry for a while such as Malik, The Soweto Gospel Choir, Tuks Senganga, The Late HHP, Conley Supreme, BC evolution whom he featured on the project.

Talking about his yet-to-be-released-album, he says the release has variety of sounds and influence. Throughout the recording process, he says there are many life elements that influenced the album, including some of the lessons he learned along the way and what he witnessed in life. His choice of sound, RNSU says one can categorize it as a definite hip-hop package but borrows sounds from other hip-hop sub-genres. “This is a solid album that has quality songs,” he concludes.

Adding to conversation, Thasman says the experience of working with RNSU was quite an amazing one, given that this is a young talent who sees the industry in a different light. “People should expect a lyricist that connects you back to reality. He is not the kind of a rapper who is giving fictitious way of how life is but rather a true reflection, which is conscious.”

It’s clear; the duo is not leaving any stone unturned. RNSU is bringing his rhymes forward in a very sophisticated yet inviting and solid way. His flows are on point and he is unapologetic about it. The truth is, RNSU is ready to introduce himself to the mainstream music industry and secures his space with his signature sound.

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