NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Zolani Mahola & The Feminine Force
Zolani Mahola & The Feminine Force

Zolani Mahola & The Feminine Force

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Cape Town, South Africa

In operation since:

2010

Contact person:

Zolani Mahola & The Feminine Force

BIO

Zolani Mahola aka The One Who Sings

Former lead singer of the critically acclaimed pan-African supergroup Freshlyground, Zolani Mahola is The One Who Sings.

The band was together for 17 years and produced 6 albums and most famously collaborated with Shakira on the song “Waka Waka” in 2010 and is known for uniting audiences across the world across boundaries of race, age or gender.

In 2019, she officially announced the launch of her solo career as a musician, storyteller and public speaker.

In her own words: “Our world is changing. The old stories have worn thin. We are telling new stories now. We are creating new realities: ones which inspire and give us true power.”

In her work with Freshlyground, Mahola has shared and opened stages for greats such as Stevie Wonder, Hugh Masekela, Shakira, Johnny Clegg, BB King and many others.

The beginning of 2020 saw her collaborate with Grammy Award-winning cellist Yo-Yo Ma and October 2020 saw her share a bill with legendary musician Dave Matthews. She also released the anthemic and patriotic song “Because We Are” with long-time collaborator Aron Ha’Levi. The song saw the feature of over 30 artists across the South African music scene, including legends and popular artists such as Yvonne Chaka Chaka, J Something, Karen Zoid, Amanda Black, Vusi Mahlasela, Arno Carstens, Francois Van Coke to name only a few.

Mahola won the prestigious Fleur Du Cap award as “Best Actress” for her 2019 self-written critically acclaimed one woman play based on her life entitled “The One Who Sings. November 2020 saw her stage the multimedia work “You Need To Say It” at the Baxter theatre in Cape Town. The show included elements from Mahola’s debut solo album entitled “Thetha Mama” (http://Platoon.lnk.to/thetha-mama) which was released in November of 2021.

The album won best produced album this August at the South African Music awards and The One Who Sings is currently working on a follow up album and three upcoming film projects for release late 2023 and 2024 respectively.

The Feminine Force is a roving band of femme musicians led by the pint-sized powerhouse that is The One Who Sings AKA Zolani Mahola.

the #FF is an African and universal concept. It’s a distilling of the ancient force of women dancing and singing in trance long into the night and the modern medicine woman remembering her roots and the lonely woman finding her way back to feeling safe with other women, finding her voice in the strength of the song of her sisters.

The band is a space for femmes to gather and sing. The space is generous, the space is kind and there is lots of laughter. It’s currently tension-free and I want to do my best to keep it like that.

I want to explore the power of the full range of the feminine voice expressed. The shades of it, the emotions of it… the anger of it, the expertise, the softness. It is indigenous to South Africa and it touches on the pain and tremendous strength of the global feminine force.

The band is her womb-child after the end of a highly successful 17-year partnership with her previous outfit: the internationally acclaimed, multi-award-winning pan-African supergroup Freshlyground.

The music is written by The One Who Sings and is expressed by the highly skilled and impassioned band in six-part harmony. It is fuelled by folk guitars and powerful traditional Xhosa instruments.

The band includes queer African instrumentalist, percussionist, marimba maker, songwriter, and singer Sky Dladla.
Cal Thompson is a highly accomplished bass player and pianist, music education pioneer and founder of the Mobile Music Academy.
Genevieve Lee studied opera at UCT music college and a student of the Amazonian tribe Huni Kuin’s traditional medixine music.
Another talented roving member of the collective is Ntombe Halam, a recent graduate at UCT Music College in African music.
Chante Phillips is an acolyte of the great Mozambican drumming legend Frank Paco and fiercely leads the bands rhythm section.

The Feminine Force is what you hear and feel when women - or those socialized as femme people - gather to sing together, to grieve together and to joyously celebrate the exhilarating heartbreak that is life. Stylistically and intrinsically non-binary, the music is at once uplifting, sacred, rocking and deeply rooted in the indigenous feminine force of our land eMzantsi.

It’s indigenous, it’s folk, it’s feminine, it’s bold and it is sacred and fun.

Zolani Mahola is passionate about children and youth as well as the natural world and our undeniable connection to it. As such she is an ambassador for the Seachange Project which released the groundbreaking documentary “My Octopus Teacher”. The team which produced the Oscar award-winning film is currently working on a feature film on the artist based on her connection to the ocean.

She sits on the board of Zip Zap Circus School which empowers children of all walks of life with essential life skills. She is an ambassador for the Morris Isaacson Centre for Music in the Johannesburg township of Soweto where music education is used as a tool to foster self-belief whilst creating world-class classically trained musicians in the process. She has also recently taken on ambassadorship for the Earthchild Project - an NPO which uses yoga, mindfulness and connection to nature to nurture children from under-resourced communities.

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