NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Ali Birra

Ali Birra

Solo artists
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Profile added by Stanley Gazemba on 22 Jul 2014

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Addis Ababa, Ethiopia

In operation since:

1971

Contact person:

Ali Birra

BIO

Ali Birra (29 September 1950 – 6 November 2022) was a famous Oromo singer, composer, poet and nationalist. He was born in Lagaharre village in the city of Dire Dawa, Ethiopia.

He was brought up by his father. He attended Arabic school as a child where he learnt the Arabic language. He then enrolled in local academic school and pursued his education till the sixth grade. In his early years, Ali used to do small street businesses to support himself. When he was 13, he joined Afran Qallo cultural group which was then operating unofficially to promote the Oromo music and culture. The first song that he sung on stage was called 'Birra dha Bari’e' after which he was nicknamed him 'Ali Birra,' meaning 'Ali the Spring.'

The Haile Selasie regime banned the group in 1965 and arrested some of its members. Ali escaped arrest and moved to Addis Ababa. In Addis Ababa, he was engaged in different activities along with singing.

Ali came to know the nationalist Ahmad Taqi, who bought him a guitar so that Ali could sing more widely. His fame increased dramatically throughout the city. He was able to sing in the Amharic, Arabic, Harari and Somali languages, in addition to Oromo, his mother tongue. This had gained him appreciation from different personalities including Eyoel Yohannes, at the time the head of Kibur Zebegna. Eyoel recruited him as a solo singer in Oromo. He joined other famous singers such as Mahmoud Ahmed, Tilahun Gessesse and Bizunesh Bekele.

With these groups, he traveled to all regions of the country and showcased his talent. He also traveled to the Sudan repeatedly and sang with well known celebrities like Mohammed Wardi. In Addis Ababa, he performed in large venues such as Hager Fiker and Ras Teyater, but on the advice of his father, he left Addis Ababa.

In the early 1970s, at the breakout of the Ethiopian revolution, Ahmad Taqi was killed in eastern Ethiopia while fighting the government army. Ali Birra mourned him deeply.

Ali Birra continued his career both as a musician and a composer. He produced his first album in 1971, the first in the history of Oromo music. He then recorded successful hits such as 'Hin Yaadin,' 'Asabalee,' 'Ammalelee,' and 'Gamachu.' His albums included Sudanese songs such as 'Al-Habib Ween' and Harari songs such as 'Yidenqal.'

In August 2009, Birra reported that he had recently been treated for colon cancer, but planned to continue performing music, in spite of reports that his most recent album would be his last.[7]

In early 2022, Birra's health was in critical condition and he was hospitalised at Adama General Hospital. On 6 November 2022, the Oromia Regional State media announced his death in Adama, at the age of 72. On 8 November, Ali Birra is given a state funeral. The funeral service was conducted at Muslim Cemetery in Dire Dawa, his birth place, after a farewell ceremony was carried out at a Sheger Park. Thousands of fans and notable people presented at the funeral.

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Music

Ali Birra - Vol.1 Side B06 Hammalelee Acoustic

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05:44

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