NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Belole Ray

Belole Ray

Solo artists
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Buea, Cameroon

In operation since:

2018

Contact person:

Belole Ray

BIO

Belole Ray (born Barbara Belole Achingale on 22 October 1990) is Cameroonian musician from Buea.

Born in Buea, South West Region of Cameroon, to a humble, average-income family, she was brought up and educated in the Catholic tradition. She is the fifth of six children. After her high school education, she studied theology at John Paul II institute of Theology and Philosophy in Buea

A songwriter, singer, guitarist and recording artist, Ray took after her father, Henry A Achingale, a well-known songwriter and chorister who has composed many thrilling songs for the Catholic and Baptist Churches in Cameroon as well as others with social and political themes sung by the famous Mamfe Youth Choir International, a group he founded in the early 1970s and led until the mid-1980s.

Belole Ray was detected as a talented singer in her early childhood. She started performing at age 11 while she was a student of Our Lady of Mount Camel College, Muea, Buea. She was one of three girls who made up an a capella group of the college known as Star Sisters.

That was when she started nursing hopes of taking up music as a career and of beating her father's impressive musical record.

In 2013, Ray founded Queen of Angels Choir, a 40-member group in the Immaculate Conception Parish, Great Soppo, Buea. The following year she founded another choir in the same parish known as Holy Infant Choir. As the name implies, the latter group is meant for small children. She is the music instructor of both choirs to this day.

She has also been playing for a Buea-based charitable group called Society of St Vincent de Paul, one of whose principal activities is to entertain inmates at Buea Central Prison.

Away from choir groups and religious music, Ray started working with Cameroonian artist, Dr Sley, as well as Valen, a friend of her brother and manager. Both men did a lot to shape her vision as far as the genre of music she plays today – world music – is concerned.

Although inspired by singers like Alpha Blondy, Lucky Dube and Brenda Fassie, she has, over time, developed a style of her own, which is a fusion of Afrobeats, soul and jazz. With her unique voice that leaves every listener spellbound, Ray flies in the same musical orbit as Nigerian singers Asa and Nneka.

On a general note, she is moved by songs about the many misfortunes that have befallen mankind, such as apartheid in South Africa, the civil wars in Nigeria and the DRC, the Ethiopia famine, the Lake Nyos gas disaster in Cameroon, the earthquake in Haiti, etc. This is owed to her incredible love for children, the oppressed and the underprivileged.

Her maiden recorded song, 'Love This Place (Africa)' was produced by Emil Ngombah of M1 Studio, Molyko, Buea. It features one of Cameroon's finest guitarist, Marcien Oyono, with backup vocals from Africa The Voice finalist Merveille Onguenet.

'Love This Place (Africa)' describes the African continent with its diverse and mellifluous music melodies as a place of peace, love, hope and happiness.
Ray has recorded four other songs with M1, which will be released subsequently.

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