NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Bholoja
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Profile added by Ano Shumba on 24 Feb 2016

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Mbabane, Swaziland

In operation since:

2004

Contact person:

Bholoja

BIO

Bholoja, born Mbongiseni Ngubane, is to be considered one of the most relevant figures of the contemporary African music scene. After the success of his first album, Swazi Soul, released in 2009, Bholoja gained vast appreciation and earned ample recognition in Southern Africa, becoming the first Swazi artist to achieve international exposure solely through the works of his music.
He draws his inspiration from Swazi tradition and seeks to preserve the country’s cultural heritage through his songs. His music is a response to the changing global situation and African growth challenges. This passionate artist soon became Eswatini’s rising symbol of its native rhythms, melodies, arts and culture. Maintaining Swazi traditions is his greatest inspiration and his way of living, becoming a mouthpiece for the underprivileged, bringing forward a message of hope to the victims of true social and health pandemics.

Bholoja’s unique and original brand of music, which he calls Swazil Soul, quickly gained popularity in Southern Africa, and his distinctive and outstanding voice has become its symbol. It is hard to classify his characteristic music as it meanders and bend between his various sources of inspiration, such as alternative soul, gospel, jazz, blues and African traditional. What is certain about his music is that it is cloaked in social commentary, and it speaks to the listener. His enduring popularity is largely a result of his music lyrical strength, depth and individuality. A large number of his songs focus on the social and economic issues that govern peoples’ daily lives. With an infectious sense of humour and optimism that prevails through all his music, Bholoja’s appeal extends to young and old alike.

In 2009, he recorded his debut album, Swazi Soul, in Paris, France through the help of the Alliance Francais du Swaziland. In 2015, he completed Swazi Soul II in Pretoria, South Africa. Swazi Soul III is currently in the final stages of production.
Some of his other musical achievements include:
Best Upcoming African Musician 2009 Artist at Visa Pour la Creation hosted by Culture France.
Best Siswati Album (Swazi Soul) 2010 South African Traditional Music Achievement (SATMA)
Best Album (Swazi Soul) 2012 Swaziland Tihlabani Awards
Artist of the Year 2012 Swaziland Tihlanani Awards.
For three consecutive years, he won the Best-Selling Swazi Artist and Most Popular Swazi Artist categories, also at the Swaziland Tihlabani awards.
In 2010, he again was in the top ten nominees in Radio France International (RFI).

His growth as an artist has seen him sharing the stage and studio with great names in the music scene, such as Hugh Masikela, Erika Badu, Jimmy Dludlu, Sipho Hotsticks, Judith Sephuma, Tshepo Tsola, Ray Phiri, Nqubeko Mbatha, Bheka Mthethwa, Nduduzo Matse, Flowe, Switch, Fanaza, KRTC, Lokua Kanza, Tony Cox, Steve Newman, Kalid Kuen, Vincent Bucher, Tao Ravao, Oliver Mtukudzi, Freshly Ground, Kunle Ayo, Simphiwe Dana and many more.

He has shared his music at numerous venues since his 2004 debut at House on Fire. This includes many festival performances, such as MTN Bushfire, Standard Bank Joy of Jazz, Azgo Festival, Sakifo Festival, Kuwait Music Festival and Moshito Festival. He has toured at least 19 African countries throughout his career, as well as in Austria, France and Germany.

Bholoja has built a strong reputation as a positive and influential symbol of his country. In August 2008, he was appointed a member to the Entertainment Committee of the 40/40 National Double Celebration by His Majesty, King Mswati III. His Majesty also appointed him to the committee of Arts in Eswatini University eKwaluseni. It is also worth noting that he received a direct letter from US President Barack Obama, appreciating his composition of his life story.

As a voice of the Swati people, Bholoja does his very best to represent, appreciate and give back to his country. He started his own foundation, Bholoja Arts Technology and Educational Foundation ( BATEF). The mission of BATEF is to fight poverty in Africa, starting in Eswatini, by providing the resources and motivation necessary for people, particularly the youth, to acquire skills necessary to succeed in our ever-changing technological world. This spirited musician uses BATEF to motivate, inspire and positively advise students to follow their passion and conquer the barriers they face in order to live a successful and fulfilling life. He is committed to the continuous growth of BATEF throughout the country over the next several years.
Bholoja also works with local NGOs and the American Embassy to create innovative road shows to fight the HIV/AIDS pandemic. He is an ambassador of World Vision's fight against abuse (especially against women and children) and was also the first MTN Swaziland Ambassador, and served in that role for 3 years, from 2011-13.

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