NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

flag-img

Cape Town, South Africa

In operation since:

2009

Contact person:

Blake Hellaby

BIO

Musician, Performer, Producer, Composer, Teacher

Blake Hellaby is a multi-instrumentalist, composer and music producer based in Cape Town, South Africa, whose goal is to bring people joy through music. As a performer he has appeared in venues across South Africa, as well as elsewhere in Africa and Europe. He has written and produced songs that have gained radio play in South Africa both on both jazz and commercial radio.

His musical journey started with classical piano lessons at the age of 7, and continued throughout his school years at SACS. But at age 14, Blake first encountered jazz, and was immediately drawn to everything about it – the performance dynamic, the improvisation, the interplay between the band members and the environment of the performances (in contrast to his experience of classical performances). He then started saxophone lessons, under the legendary South African saxophonist, Buddy Wells. However, the classical expectations of Blake’s school kept him very busy, completing ABRSM piano and theory exams, so jazz training only started when he embarked on a degree in jazz performance at the University of Cape Town, where he is currently a part-time lecturer.
Although not formally taught jazz at high school, he was still selected to be the pianist of the Standard Bank National School’s Big Band at the Grahamstown Jazz Festival (now the Makhanda Jazz Festival) in 2007.

It was at university that Blake was exposed to a much wider range of music genres, which engendered a broader love and appreciation of diverse styles. These years also extended his musical talents, and deepened his musical understanding and maturity. In particular, Blake’s aptitude and passion for music production emerged during this time.

Blake had the opportunity of touring on multiple occasions during his studies. He was selected for the Miagi Youth Orchestra, which performed in Johannesburg and undertook a tour of Berlin, Germany (2009). On another occasion he joined a 2 week tour of Burgundy in France as part of the Delft Big Band (2013). He was chosen to participate in the Nordic Showcase Masterclass and perform at the Oslo Jazz Festival (2014).

Since completing his studies, Blake has performed extensively in both the jazz and commercial sectors, and he has served as booking agent for local music venues. His credits include gigs with many of South Africa’s top musicians, such as Mandisi Dyantyis, McCoy Mrubata, Ian Smith, John Hassan, Frank Paco, Buddy Wells, Vicky Sampson, Mark Fransman, Dan Shout, Loukmaan Adams, Kevin Gibson, Tarryn Lamb. He was also booked to perform alongside Herbie Hancock at International Jazz Day on April 30, 2020, but that has been postponed due to COVID-19.

He was pianist for the National Youth Jazz Band (Grahamstown Jazz Festival, 2014), and has performed in the French Season Arts Festival run by Alliance Francais, as well as the Cape Town Jazz Festival (2015). He toured with the band Nu Notes in Swaziland (2015) and in Mozambique (with Ivan Mazuze, 2016). He was pianist for the 2017 show King Kong , Legend of a Boxer in both Cape Town and Johannesburg.
Other international artists include numerous performances with German bass player, Martin Zenker, Swiss Alphornist, Eliana Burki. In 2017 he was pianist and musical director for US singer Yvette Norwood-Tiger, and in 2019 he played with Charles Alexander of the Berklee College of Music.

His experience in the studio is also substantial, having worked with artists, DJs and songwriters as a session musician, producer, and mixing/mastering engineer. Working with artists such as Leighton Moody (House DJ), Frank Paco (Mozambican drummer), Tristan Weitkamp (jazz saxophonist from USA), Jo Kunnuji (Nigerian trumpeter), EKC Worship (Gospel), Choni G (Jewish religious music), to name a few.

As a performer, arranger and composer, he is conversant with jazz, funk, souls, house, pop and more. His work has received very positive reviews:
“Hellaby’s version of ‘jazz’ awakened listeners to his skillful use of hard core funk, be- bop, grungy blues and rock, all loosely packaged in a soulful improvisational style which Hellaby is making his own" - Carol Martin.
Blake has taught music at both high school and university levels, as well as privately. At Wynberg Boys High School, he taught saxophone, piano, improvisation and conducted the school big band for 5 years. He is currently a part-time lecturer at the University of Cape Town’s College of Music.

Photos

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media