NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Burkina Electric
Burkina Electric

Burkina Electric

Bands /groups
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Ouagadougou, Burkina Faso

In operation since:

2004

Contact person:

Burkina Electric

BIO

Burkina Electric is a music group from Burkina Faso .

Burkina Electric is the first experimental electronic pop music group in the country. Based primarily in Ouagadougou, the group's objective is to bring new concepts to both Burkinabè music and Western club contemporary electronic dance culture by infusing computer based performance with rhythms sounds of traditional instruments and found sounds recorded in Burkina Faso.

Burkina Electric enriches the fabric of electronic dance music by using unusual rhythms that are rarely heard and little-known even in much of Africa. This includes ancient rhythms of the Sahel, such as the Mossi peoples' Ouaraba and Ouenega, but also new grooves of their own creation.

The band was formed in 2004 by award-winning vocalist Maï Lingani (who sings in Moré, Dioula, Bissa, and French), premier guitarist Wende K. Blass, electronicist/VJ Pyrolator (a founding member of D.A.F. and Der Plan), and USA-based drummer/electronicist/composer Lukas Ligeti, featuring dancers Vicky and Zoko Zoko, who also contribute backing vocals.

In 2007 Burkina Electric released the double EP Rêem Tekré on the Ata Tak label, featuring four of the group's songs and remixes by DJ Spooky, Paul de Jong (of The Books), Rupert Huber (of Tosca), Raz Mesinai (Badawi), and Stefan Schneider (of Mapstation/To Rococo Rot). In addition, the track Mdolé is featured on the compilation Beyond the Horizon, assembled by BBC Radio DJ Charlie Gillett, issued in 2008 by Phantom.

Their debut album 'Paspanga' was released in 2010 by New York label Cantaloupe Music. Different songs of the album were lisenced to compilations by Songlines Magazine (Top Of The World 85) and Conduit (Terrasonic Spinning The World 2002 - 2013).

Burkina Electric have toured internationally and played many important venues and festivals in Germany, Austria, Italy, Belgium, Denmark, Monaco, Burkina Faso, Canada, and across the US. Highlights include the Festival Jazz à Ouaga (Burkina Faso), Le Poisson Rouge in New York City (US), the Old Town School of Folk Music in Chicago, Turner Hall Ballroom in Milwaukee (USA), the Newman Center in Denver (USA), the Cleveland Museum of Art (USA), the Detroit Institute of Arts (US), the Luminato Festival in Toronto (Canada), and the Montreal Jazz Festival (Canada).

With choreographer Karole Armitage and her company, Armitage Gone! Dance, Burkina Electric created the work Summer of Love, which was performed at Lincoln Center in New York City (USA) and at the Teatro Massimo Bellini in Catania (Italy). The work was then developed into Itutu and was performed at the Brooklyn Academy of Music’s Next Wave Festival and at Celebrate Brooklyn! in Prospect Park, both in New York City (USA); at the Opéra de Monte Carlo (Monaco); and at festivals in Belgium and Germany.

In 2016, Lukas Ligeti composed Suite for Burkina Electric and Orchestra, piece that was presented at the Festival of Lights in Leipzig (Germany), in a collaborative performance of the band with the with the MDR Symphony Orchestra (Mitteldeutsches Rundfunk Symphonieorchester Leipzig) conducted by Kristjan Järvi.

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Music

Gom Zanga

Burkina Electric
05:23

Sankar Yaare

Burkina Electric
05:32

Naab Koobo (arr. L. Ligeti)

Burkina Electric
04:56

Ligdi

Burkina Electric
06:37

La Voix Du Boulgou (after H.A. Bambara)

Burkina Electric
05:38

Bobo Yengue

Burkina Electric
05:01

To Mi To Zi

Burkina Electric
05:49

Saaga

Burkina Electric
05:45

Nongui Taaba

Burkina Electric
05:53

Bana

Burkina Electric
04:51

CA Va Chauffer

Burkina Electric
06:24
Burkina Electric

Burkina Electric

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