NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

DGR Wiki

DGR Wiki

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Lagos, Nigeria

In operation since:

2024

Contact person:

DGR Wiki

BIO

DGR Wiki is a free online encyclopedia written and maintained by a community of volunteers, known as contributors, through open collaboration and the wiki software MediaWiki. It was founded in 2024 in Nigeria and operates with a stated vision as a USA-based encyclopedia project, emphasizing global accessibility while rooted in African creative and cultural narratives. The platform is powered by MediaWiki and licensed under a Creative Commons Attribution-ShareAlike model, allowing anyone to freely use, edit, and redistribute its content.

DGR Wiki focuses on documenting topics in music, entertainment, independent arts, culture, and related fields, with particular attention to emerging voices, independent ecosystems, and underrepresented stories in the global creative industry. It aims to serve as a transparent reference work that prioritizes authenticity, community-driven editing, and preservation of knowledge in areas often overlooked by mainstream encyclopedias. As of 2026, the English edition remains the primary and most developed version, featuring articles on artists, releases, companies, cultural movements, and general knowledge topics. The project forms part of a broader multimedia initiative that includes music distribution, media, and creative development arms.

History DGR Wiki was launched in 2024 as an independent knowledge platform. It emerged from the need to create a dedicated space for detailed, open documentation within the independent music and entertainment sectors, where traditional gatekeeping and limited coverage can leave many artists and cultural phenomena underrepresented. The encyclopedia is operated under DGR Entertainment & Multimedia Ltd., a Nigerian-registered company based in Lagos. It was developed alongside related projects such as DGR Music Group (an independent record label and distribution platform) and DGR News (a media extension). These interconnected initiatives reflect a unified approach to creative empowerment, combining content creation, distribution, and knowledge archiving. Early growth involved building core articles on music releases, artist profiles, and industry-related entities. Like many young wiki projects, DGR Wiki has experienced periods of technical maintenance and variable editing activity as it works to expand its contributor base and improve platform stability. Its development emphasizes ethical practices, transparency in documentation, and long-term sustainability as a volunteer-supported reference resource. Operations and features DGR Wiki functions on the same collaborative model as other major wikis: registered users can create and edit articles, with community guidelines encouraging reliable sourcing, neutrality where possible, and respect for creative ownership. The platform is designed to be accessible worldwide, with hosting and technical infrastructure supporting its global ambitions despite its origins in Nigeria. Key areas of coverage include:

Independent music scenes, discographies, and artist biographies Entertainment companies and cultural movements Broader topics in arts, media, and society

The project positions itself as a bridge between street-level narratives and structured reference material, offering space for detailed entries on niche or emerging subjects. It maintains a focus on empowerment and independence, allowing contributors from diverse backgrounds to participate in shaping its content. Reception and impact In its early years, DGR Wiki has been recognized within independent creative circles for providing a dedicated, open platform for documenting artists and cultural phenomena that may receive limited attention elsewhere. Supporters highlight its role in democratizing knowledge creation and preserving authentic stories from underrepresented regions and scenes. As a volunteer-driven project still in its growth phase in 2026, it faces typical challenges such as building consistent community engagement, ensuring editorial quality, and scaling technical infrastructure. Observers note its close ties to the broader DGR ecosystem as both a strength (in focused expertise) and an area for continued development toward wider neutrality and diversity of contributions. DGR Wiki continues to evolve with the goal of becoming a comprehensive, reliable reference work that reflects a balance between specialized coverage in music and entertainment and broader encyclopedic ambitions. It remains committed to open collaboration, cultural preservation, and the principle that knowledge should be freely built and shared by the community it serves. This biography is written in a neutral, encyclopedic tone suitable for wiki use, drawing from publicly available information about the project as an independent entity.

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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