NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Lusaka, Zambia

In operation since:

2019

Contact person:

Lady Light

BIO

Lady Light is a multi-faceted Independent Artist, Music NFT artist, Mix Dj, and Curator from Lusaka Zambia whose storytelling skills are expressed lyrically, using her voice as a medium for mental empowerment. She is an advocate for African culture and technology in the arts. She has worked with the likes of Muntu Kulcha, Drum Broz, Theresa Ng’ambi and recently collaborated with Mozambican rapper TMRS Awage, and Zimbabwean rappers Mary Jane and Lisa Afonso on “Issue” and the “Women’s Cypher Africa Unite” (organized for Shoko Festival Zimbabwe). Her musical journey has seen her unraveling her creative side and revealing her love for lyricism and percussion. Her lyrics are thoughtful, thought provoking, positive and empowering, reminding listeners to appreciate their culture and to focus on conscious values in order to uplift our existence, especially here in Africa. Her rap style fuses Lozi (her mother tongue) and English lyrics over contemporary African beats, showcasing the diversity of Hip Hop, when expressed from an African point of view.
Lady Light started djing in 2019 after participating in the Rackless Kazi Dj Residency program in 2018 where she learned the art of mixing. This project supports female Dj's from the SADC region, founded by Modzi Arts in partnership with British Council Southern Africa Arts. This project is now currently supported by Music in Africa. Adding Djing to her profile has really helped scale up her career. She roots her style of mixing in the sounds of the Motherland, drawing inspiration from music around the Southern African region, as well as the rest of the continent. Her love for African instruments, percussion and Afro genres is evident in her choice of music creating a sonic experience which evokes our inner urge to move.
In the last 6 years as an emerging artist, performer and Dj, she has graced the stages of festivals and music venues in Zambia including Oktoberfest, Gule 2.0 Festival, Ls Con (Hip Hop performance), Bud X events, Rackless Kazi events, Electro and Afro Souk Sessions at Alliance Francaise Lusaka, as well as Shoko Festival Zimbabwe and Rackless Kazi Zimbabwe. She was part of the Zambian delegation at the Africa Rising Music Conference 2023 where she was a panelist speaking about emerging technologies such as Web3, A.I, V.R etc and how these are shaping the African music landscape. Lady Light is therefore at point in her career where she feels it is necessary to experiment with interdisciplinary fields and integrate these elements into her work. This is one of the reasons she decided to try out block chain technology via music NFT’s. She released her genesis NFT track titled “Ki Nako” on Catalog Works in March 2022. This is the first music NFT coming out of Zambia featuring Zambian traditional folk singer, Theresa Ng’ambi, written by and performed by Lady Light in her native tongue SiLozi. The freedom which comes with this technology is an eye opener, stating that “The decentralized nature of web3 allows me to create music from different perspectives with more creative freedom and financial ownership”. Consequently, she was selected to curate for Catalog Works, selecting mostly Zambian artists, as well as other African artists who are interested in creating music NFT’s on Catalog Works, thus selling their music as NFT’s. Lady Light has also worked with Zambian NFT visual artist and writer Lord MND on a VR, A.I. art project called “The Future Art” where we created and curated a virtual A.I. art exhibition via Spatial, not only for fun but to also bring awareness to the endless possibilities when it comes to A.I. and VR. She is now working with Lord MND on creating an AI music video showcasing a 36 bar rap freestyle which will be on her genesis EP to be released in 2023.

She was also selected as the winner of the Mint fund for December 2022, under the Foundation for Art and Blockchain where she was awarded a small grant to further her music NFT career. Lady Light is also one of the founders of Amplify Basali, an all-female informal group dedicated to assisting each other with opportunities, content creation and NFT music education.

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