NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Johannesburg, South Africa

In operation since:

2010

Contact person:

Maleh

BIO

Malehloka Hlalele, popularly known as Maleh, returns in 2022, with a brand new Afro Pop album titled ‘Lerato Laka' In this much anticipated offering, Maleh shares the different seasons of her life that would propel her to step into her own power as an independent Woman. ‘Lerato laka ’, celebrates the journey women take into finding alignment, realising their worth, discovering self love and pursuing their destinies, against all odds.
Songs, such as ‘Fire Dancer’ and ‘Maboneng’, and ‘March on’ explore the challenges of ensuring the fulfilment of purpose as well as the realisation of one’s vision and dream. The variety of musical sounds and influences by different genres, showcased throughout the project, further display the artist’s versatility and ability to uniquely approach different ‘tones’ while still maintaining the authenticity of her voice and soulful spirit.
Maleh is also recognised for her heartfelt love ballads, and songs like ‘Sokalam’ and ‘Lerato laka' are true to form, maintaining her reputation as an amorous songwriter, from her heart to her pen. In ‘Dem go say’, Maleh shares her vulnerability after experiencing heartbreak, while going on to encourage belief in the healing power of love and the eternal hope inherent in the quest for true Love.
The album is produced by Nigerian producer, Goldsmith, who has steered the music onto an international stage, approaching it with sound choices that produce a current and youthful character, which inevitably for makes a beautiful blend and fusion of West African and Southern African melodies and sound.
This album comes at a time where the narrative regarding Womens’ issues especially those pertaining to abuse within domestic relationships as well as various other forms of oppression are being acutely and critically highlighted and confronted, as women around the world continue to find ways to unite against these social ills. This album promotes the celebration of the Power of a Woman and the need for every woman to claim her position in her life as Queen, requiring no validation from others, but realising the uniqueness and deeper value and significance that lies within herself.
Background
Maleh began her musical journey in the heart of the majestic mountain Kingdom of Lesotho where she was born and raised. The vocalist’s professional career took off in Bloemfontein where she joined Afro-Pop group Kaya, which released their debut album ‘Kunzima’, winning them the Metro FM best newcomer award in 2005. She later parted from the group to further her studies at a film college in Johannesburg, where she majored in cinematography. Upon graduating, Maleh later worked for several events production companies as a production coordinator, producing various major music festivals. Discovering the music industry from behind the scenes, it was not long until the stage would call back the songstress. Having worked at one of South Africa’s most prominent Jazz festivals, Standard Bank Joy of Jazz, she found that she was most inspired by the performances of Chris Botti and Lalah Hathaway, thus fuelling her return to the stage as a solo artist in 2010. Between 2010 and 2011 Maleh featured on several hit collaborations including Dj Qness (‘Uzongilinda’ & ‘Time’), DJ Ganyani (‘Not so Far') and the international hit with DJ Kent, 'Falling'. Maleh’s much anticipated 2011 debut album ‘Step Child’ was a twelve (12) track Neo Afro-Soul production. The album was a leap of faith, an intuitive exploration of soulful melodies drawn from the landscape of Lesotho. It became a call and response for Maleh, textured with tales of migrancy, folklore and moments of deep self-reflection. ‘Step Child’ achieved much success with singles ‘Chimsoro’ and ‘Under My Skin’ receiving high rotation air play on commercial radio stations and topping radio charts throughout the country. The album further earned her two nominations in the 2013 Metro FM Music Awards in the ‘Best African Pop’ and ‘Best Contemporary Jazz’ categories. ‘Step Child’ was later nominated for the XIX South African Music Awards, winning The Best African Adult Album in 2013. Her follow-up album and first single ‘You Make My Heart Go’ was released in December 2014.
The song was later listed on the Guardian UK playlist as one of the top five songs to come from Africa in 2015. It topped iTunes and radio charts in Ghana, Burkina Faso, Kenya, Nigeria, Botswana, Swaziland, Mozambique, Moldova, Paris, UK, Spain and Brazil. ‘You Make My Heart Go’ was nominated at the 2015 XXI South African Music Awards and won the award for the Best African Adult Album.
Her concert repertoire has placed her on lineups with artists such as Angie Stone, Tamia, Kerry Hilson, and Oliver Mtukudzi and has had great audience reception throughout the globe including South Africa, Mozambique, Lesotho, Botswana and Portugal. Maleh's sound has brilliantly fused the customary African drum patterns and raw basslines with the smooth elements of rhythm and blues, creating sultry classic soulful melodies that are sure to stand the tests of time.
Contact : 0790145003 For Bookings email: [email protected]
Facebook : Maleh_music
Maleh Instagram : Maleh_music
Twitter: Maleh_music
Tiktok :Maleh_music

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