NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Ekurhuleni, South Africa

In operation since:

2020

Contact person:

McCoy Mrubata

BIO

McCoy Mrubata is an artist from South Africa.
BRIEF BIOGRAPHY
Saxophonist, flute player, band leader and composer
Born in 1959 in Cape Town’s historic Langa township, South Africa. Reedman McCoy Mrubata grew up with the sounds of African music: the soulful hymns of the Zion Church, the chants and rhythms of traditional healers and the brassy jive of the Merry Macs band who rehearsed opposite his home. When schooling became impossible in the fiery aftermath of the 1976 uprising, the young McCoy then playing flute studied informally under Langa and Gugulethu township greats like Madoda Gxabeka, Winston Ngozi , the Ngcukanas, Ezra and Duke, Blackie Tempi and Robert Sithole.
By the early 1980s he was playing in cover bands like Fever, Touch , Airborne and Vukani, from there he moved to crossover outfit Louis and the Jive. In 1987 McCoy was spotted by bandleader Sipho Hotstix Mabuse who helped him make Joburg his home. In 1988 he joined PJ Powers band and also that year McCoy was sported by veteran producer Koloi Lebona who offered him a recording deal with a British based record company Zomba Records the same record company had produced music for, amongst others: Jonathan Butler and Billy Ocean. McCoy’s debut album, Firebird was released the following year.
In 1989 he formed Brotherhood, which also included guitarist Jimmy Dludlu pianist Nhlanhla Magagula, Mwezi Zazi, Gladwin Mashoko and Lucas Khumalo and later Moses Molelekwa and Phakamisa Xangathi. In 1990 the band won the Gilbey's Music for Africa competition , beating top bands like Bayethe , Peto , Stax and Zanusi.
In 1992 he began touring with Hugh Masekela’s Lerapo, alongside Vusi and Bakithi Khumalo , Lawrence Matshiza and the late Moses Molelekwa among others. He also created his own bands, Cape to Cairo and McCoy and Friends. In the mid 1990s, he made the first of a series of albums as leader for the independent Sheer Sound label: Tears of Joy. The personnel of Friends, including pianist Paul Hanmer, bassist Andre Abrahamse , trumpet player Prince Lengoasa and trombonist Jabu Magubane among others.
In addition, McCoy has collaborated with a dazzling array of South African jazz players, and with overseas artists such as Airto Moreira and Flora Purim. He has been involved in drama, creating scores for South African productions about journalist Bloke Modisane and saxophone legend Kippie Moeketsi . McCoy also worked In three Norwegian productions (with Nordic Black Theatre) : two In 1994/5 In SA and In Oslo on two Bob Marley Musicals and in 2001 starring in play based on the life of John Coltrane “Beyond The Blues” , playing a leading role. He has also created what he calls the Young Friends: a collaboration with the next generation of South African jazzmen.
In 2012 McCoy was among the top Jazz educators who helped to launch the Jazz Faculty at University Of South Africa and has subsequently conducted workshops and master classes commissioned by the Institution.
In 2014 McCoy went on a successful USA tour with a collaborative band called Uhadi of which he directed. The band comprised of some of SA top Jazz musicians : Feya Faku , Paul Hanmer , Herbie Tsoaeli and Justin Badenhorst. and guest Sibongile Khumalo.
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In 2015 McCoy had a good run In Switzerland from the 26 August to 28 September at the Bird’s Eye Jazz Club, Basel University and St Gallen playing with three different bands. The Bird’s Eye run was recorded and a double CD, “ McCoy Mrubata Live At The Bird’s Eye”
McCoy and Uhadi went on a second US tour In 2016. The tour commenced on 30 March to 18 April.
In 2018 McCoy and Paul Hanmer, he’s long time friend celebrated 30 years of friendship and collaborative work in music and had performances around SA and they also toured USA and conducting workshops at some of the higher institutions like Berklee and UCLA.
In September 2019 McCoy was one of the South African Jazz artists that went to perform at the Jazz At Lincoln Center With Wynton Marsalis, New York and the show was called The South African Song Book.
McCoy Mrubata Discography Solo Albums
Fire Bird 1989 Tears Of Joy 1997 Phosa Ngasemva 1999 Hoelykit ? 2000 Face The Music 2002 The Best Of The Early Year 2004 Icamagu Livumile 2004 Brasskap Sessions Volume 1 2007 The Very Best Of 2010 Brasskap Sessions Volume 2 2014 Live At The Bird’s Eye 2016 Live At The Market Theatre 2016 Brasskap Sessions Volume 3 2019
Collaborations
Sheer All Stars
Indibano 2000 Live At The Blues Room 2001 Dance With Me 2002 McCoy and Wessel van Rensburg Kulturation 2004
McCoy & Greg Georgiades 2004

Vivid Africa
McCoy & Paul Hanmer 2011 Boswil Concert
McCoy & Moses Ngwenya 2012 Mbaqanga Jazz
Awards
1991 : Gilby’s Music For Africa winner
5 time winner of the South African Music Award winner for the “Best Jazz Album” category
2010 : Angola COCAN Africa Cup Of Nations Competition Ambassador 2018 : Winner of the Kennedy Center Gold Medal Award

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