NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Thakzin

Thakzin

Producers
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Profile added by Claire Metais on 06 Aug 2025

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South Africa

In operation since:

2010

Contact person:

Thakzin

Contact:

0624161800

BIO

Counting his South African peers Black Coffee, Shimza or Themba as some of his most prominent ambassadors, Thakzin is considered by many as one of the most unique & versatile Electronic South African producers. The universality of his forward-thinking & genre bending musical approach always fused the roots of a wider African culture, Urban and Electronic influences from around the world. His groundbreaking single "The Magnificent Dance'' (released on Sondela) became one of the most viral tracks of the South African summer of 2022 & caused a stir globally, laying down the foundation of 3Step, a disruptive hybrid of Amapiano, Afro & Deep House installing him as its originator & uncontested leader.

Born of a South African & Mozambican family of musicians, Thakzin is a contemplative life observer who discovered djing in his early teenage years & dived into the culture to become the versatile & uplifting DJ he is today. In 2010, he started to learn music production, drawing a long path of experimentation, and developing the musicality & versatility of his sound signature. Inspired by the Sangoma’s Zulu Traditional Healers (based on drum rituals to heal physically, mentally, emotionally, or spiritually), Thakzin has a profound belief in the healing power of music and the virtues of spiritual elevation & positive energy through the universality of dancing.

In 2023, Thakzin's rise has been unstoppable thanks to strong singles such as Don't Let Me See (released on Foliage and remixed by Jimpster) or the very hyped Possessed (released on Shimza's Kunye imprint), which confirmed him as a mainstay in the selections of Keinemusik, Atjazz, Osunlade, Louie Vega, Pablo Fierro, Hyenah, Caiiro & Laurent Garnier as well as in the most important BBC1 shows of Pete Tong, Benji B or Jamz Supernova.

Additionally, some of his remixes became game changers, installing him at the forefront of the most spectacular rising artists : Yes God of Oscar MBO (reworked with Mörda & Mhaw Keys) and Dj Kent's classic Horns In the Sun (featuring catchy new vocals of Brenden Praise) helped him to take the world by storm & gaining momentum in UK, the US & Central Europe. Thakzin is also co-producer of Zakes Bantwini's Mama Thula (alongside Suffocate SA, Drega & Samurai), which became the anthem of the World Champion South African Rugby team & won the Metro FM award of Best Dance song of 2024.

A DJ at heart since his early years, Thakzin became an in-demand performer at major South African Festivals such as Ultra Festival, Spring Fiesta, El-World Festival, Rocking The Daisies, Bushfire or Kunye. He has also been one of the few performers selected by Black Coffee (for the send-off party of his historic Madison Square Garden show in Johannesburg) and by Keinemusik (to open at their first-ever Johannesburg event). After debuting his first international shows in Hong Kong, Amsterdam & Paris end of 2023, Thakzin has entered the small circle of South African artists touring the world with highlight gigs in London (Sondela, Deviation, Piano People In The Park, Fabric), Paris (Djoon, Amapiano France), Amsterdam (Open air Festival, Latin Lounge Festival, ADE), Switzerland (Montreux Jazz Festival, Mystika Zürich), Berlin (Rise Music Festival), Lisbon (White Emotion) or La Réunion (Sakifo Festival) ...

The rest of 2025 marks the start of a significant milestone for Thakzin with the release of his highly anticipated debut album announced for September 2025, with a string of singles before & after the album. Bozza Mthathe, freshly released, is already causing a stir around Africa & the rest of the world.

 

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