NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Xabiso Vili

Xabiso Vili

Spoken word
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Johannesburg, South Africa

In operation since:

2011

Contact person:

Xabiso Vili

BIO

Xabiso Vili is an award winning author, performer, TEDx speaker, New Media Artist and social activist. He is the Pretoria Spoken Sessions Slam League Champion of 2015/16, the Speak Out Loud Youth Poetry Competition Champion of 2015, the Word N Sound Poet of the Year 2014, 2015 and 2020, the Word N Sound King of the Mic for 2020 and a Hadithi Ya Afrika top 30 Storyteller 2020.

He has represented the Eastern Cape in the Lover + Another Regional Poetry Slam of 2011 and, in 2013, he won the Gauteng Regional Slam coming in 3rd at the National Slam. He came third in the 2017 National leaugue after standing head and shoulders above the other Gauteng competitors and came 2nd in the first Current State of Poetry One on One league slam of 2016.

Xabiso has also been invited to speak and perform on platforms such as Hello Ambassador and Goethe Institut’s Literary Crossroads. Xabiso has also been published online and in various anthologies including SACE High School Anthologies (‘08, ‘09 and ‘10), Black Communion, Poetry Potion, Badilisha Poetry X-Change, Sky and Dust,To Breathe Into Another Voice, Singing in the Dark and most recently Yesterdays and Imaging Realities and released his first collection of poems, Laughing In My Father’s Voice in August of 2018.

He is an internationally acclaimed poet having performed all over South Africa, Swaziland, Mozambique as well as in Scotland, the UK, the U.S and toured his one man show Black Boi Be through India and his Re/Member Your Descendants tour of America was highly praised. He has also been in residency at Cite International Des Arts to bring the Augmented Reality component of Re/Member Your Descendants to life.

One of South Africa’s top poets, he strongly believes that art has a positive influence on community and thus is persistently working towards creating alternative spaces and stages for art to be shared in innovative ways. He is currently involved in researching and creating methodology for how the process of writing can be used as a tool for therapy and healing.

During the South African Covid-19 lockdown period, Xabiso performed and run various workshops online. He also started the #CovidPoetryCypher, which brings a long list of contemporary poets to perform under the same hashtag. He has released his African lounge and spoken word fusion album; Eating My Skin, created in collaboration with the Favela Ninjas in 2016 to great reviews which he has performed at festivals such as OppiKoppi and Smoking Dragon.

Having won the Digital Lab Africa Web Creation prize in 2019, Xabiso spent 2020 creating an XR poetry-audio-visual project called Re/Member Your Descendants, a digital art exhibition, which exhibited at NewImages Festival at Forum Des Images in Paris in June, 2021 along with a projection mapping project titled Chosi Chosi, projected onto the Saint Eustache Church. Both of these projects use new media to explore the relationship between ancestry past present and future turning reality into a magical space through the scope of magical realism.

Social Networks and Websites

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