NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Zeleke Gessesse
Zeleke Gessesse

Zeleke Gessesse

Solo artists
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Profile added by Stanley Gazemba on 15 Jul 2015

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Addis Ababa, Ethiopia

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Zeleke Gessesse

BIO

A political refugee, Zeleke Gessesse, was forced to leave his beloved homeland of Ethiopia after the nation fell into a crippling state of political suppression and economic strife. He relocated to the United States, where he pursued studies to university level, and focused intently on developing his burgeoning musical career. Eventually, Zeleke was joined by his brothers and fellow musicians from Ethiopia. As a musical collective, they formed a band called Dallol.

Zeleke’s band was signed in the early eighties to Bob Marley’s TUFF GONG label. In 1984, Zeleke’s musical innovations and talents earned him an invitation to join Ziggy Marley & The Melody Makers. For nine years, Zeleke served as a integral member of the band, touring the world, and echoing Jah’s message to the masses.

Throughout his tenure with The Melody Makers, Zeleke was a key contributor to the albums Conscious Party and One Bright Day. In particular, his musical input was critical in the development of the tracks “Tomorrow People,” and “Black My Story,” two of the bands most popular and widely adored songs.

During his successful musical career Zeleke was able to, eventually, accumulate enough capital to pursue a dream he had long harbored. He had always dreamed of owning and operating a world class, live music venue. His vision was to create a venue where the best Reggae and World Music artists could showcase their talents in a positive environment.

In 1986, Zeleke became a partial owner of The Wild Hare, which is located in Chicago, Illinois, and he has spent the last 24 years investing his heart and soul in to crafting it into something truly special. The results of Zeleke’s hard work are evidenced by the celebrated reputation The Wild Hare now enjoys on an international scale.

In addition to The Wild Hare into the respected venue it is today, Zeleke has never stopped recording, producing and performing his own transcendent music. His critically acclaimed albums include Come to Me, Out of Africa and Selam. The eclectic musical infusion one hears in Zeleke’s music is truly unique. He often employs Ethiopian and reggae rhythms.

Lyrics are sang in both Amharic and English - with a spattering of Jamaican patois mixed in as well. This unique music results in a pleasing, signature sound which has gathered him a fiercely loyal following. As most critics agree: Zeleke’s music is truly a rarity in its universal ability to inspire, enlighten and entertain.

Though very much a musical icon in Chicago, Zeleke’s heart belongs to his motherland. In fact, his ultimate dream is to build another Wild Hare, along with a recording studio, back home in Ethiopia. He released his fourth album Ayzone in 2015.

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Don't let me down--Zeleke Gessesse

Kosty studio HD
03:59

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