NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

# African rap

10 essential Majek Fashek songs

04 Jun 2020 - 06:55

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Majek Fashek will be remembered not only for the evergreen music he left us or for sending down the rain in 1988, but also for his reign as a leading cultural ambassador of Nigerian music, which he popularised to millions of people worldwide.

Majek Fashek dies on 1 June in Newyork, USA.

Fashek who died on 1 June 2020 was a Nigerian reggae musician, guitarist and activist who used music to spread his messages about peace, love, unity and humanity.

There is no doubt that he will continue to inspire and affect people with his music even after his death. We've compiled a playlist of 10 essential songs that defined his career.

Send Down the Rain

In 1988 an unprecedented drought ravaged the eastern and western parts of Nigeria. Farms burned and crops perished. Fashek's release came at the same time and was seen as an invocation of a rainstorm that ended the worst droughts in the country's history, earned him the title of the rainmaker. Rainmaker was also the title of his 1997 album.

Holy Spirit

Fashek infused his music with a sense of spirituality. The song shows his belief in people and their ability to change and depicts the holy spirit as the world's guide, counselor, and comforter. The song is off the Spirit of Love album released in 1991 by Interscope Records, an American record label owned by Universal Music Group. The song landed him a music contract with Island Records' Mango imprint, dedicated to marketing reggae internationally.

Hotel Califonia

The song was a reggae cover of 'Hotel California' by the American band, Eagles, which was released in 1997 and was a billboard chart-topper; it sold over 16 million copies in the U.S. alone and was on the Billboard Hot 100 chart for 19 weeks, peaking at No. 1. In 1978, the song won a Grammy award for Record of the Year.

Promise Land

According to the bible, the promised land was Israel or the land of Canaan. However, Fashek sang that the promised land is the condition of a person's thoughts or feelings. " Promised land is not Europe, is not Africa. Promised land is a state of mind. Promised land is a state of mind," he said.

Redemption Song

Fashek was inspired by the conflict between Christians and Muslims in Nigeria. The song reflects on the hypocrisy of religion and politics and advocates for all to unite in mutual understanding and cooperation to create a culture of peace.

So Long Too Long

The song possed a serious challenge to white supremacy and segregation. Feshek was against the notion of blacks being perceived as inferior to whites. He performed this song in 1992 on the David Letterman Show, to promote his 1991 album in the USA.

Without You

This is a love song from his 2012 I & I Experience album. Another notable song from the album is 'My Guitar', which was heavily influenced by rock.

Kpangolo

Kpangolo was a unique version of reggae music he created by fusing particular African rhythms like fuji, jùjú and heavy percussions. The song is off his 1997 album.

Majek Fashek Ina New York

The song was about his experience in NewYork, USA when he visited for the first time after signing with Interscope Records in 1990. The reggae singer painted a picture of poverty and confusion while negating the idea of it being the promised land, a true paradise.

No More Sorrow

The song is a remix of his 1991 release 'Holy Spirit' and features 2Baba - the only new generation artist he recorded with. He once said that amongst the young Nigerian artist in the new generation, he was connecting with just 2Baba because he was spiritual.

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