NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

10 questions for Phaemous

22 Feb 2021 - 07:47

cc-img flag-img

Nigerian singer-songwriter Phaemous’ sound is founded on R&B but is not limited by it. Born Amaechi Chukwuemeka Bartholomew, the burgeoning musician, who cites Michael Jackson and Chris Brown among his inspirations, is behind experimental sleeper hits ‘Forbidden’, ‘Ex-cuses’ featuring Drayko and ‘Cruise Control’ featuring rappers Blaqbonez and PsychoYP.

Phaemous

Earlier this month, Phaemous released the love song ‘Violet’, which he says was inspired by toxic relationships. The record was released on Remitano Entertainment and heralds his upcoming debut EP PHÆWAY Vol. 1, which he hopes will launch him to the global stage.

The musician spoke to Music In Africa about his style, unique experiences as an R&B artist in Nigeria and the forthcoming project.

Music In Africa: What drew you to R&B in such a heavily Afrobeats terrain?

PHAEMOUS: Since I was a kid, I’ve been listening to Michael Jackson. He was literally the first artist I opened my eyes to. Seeing him inspire major superstars like Usher, Chris Brown and The Weeknd made me fall in love with the R&B scene. I also didn’t fully escape being inspired by the heavy Afrobeats terrain here in Nigeria, because I look at myself as that R&B kid with Afro roots. So I definitely I infuse that into my music, too.

What have your experiences been so far as an R&B artist in Nigeria?

I’ve had to experiment with my music in so many ways, seeing as how R&B music is not big here. For example, my single ‘How You Gonn’ Listen to This Voice and Not Trip’ had a lot of traction here and even outside Nigeria. That showed me I could comfortably create my sounds with the confidence of making significant waves in the music industry. I have also been able to collaborate with massive hip hop acts here in Africa such as PsychoYP and Blaqbonez, as well as frontrunners of Afro-drill in Abuja like Eeskay and Odumodu Blvck.

What other genres do you explore in your music?

My music is not limited to R&B. I definitely explore other genres such as Afrobeats, jazz, neo-soul, trap and electronic music. I’m an artist who likes to create and experience different sounds – as long as they speak to me.

What inspired ‘Violet’ and what would you like listeners to take away from the song?

‘Violet’ was inspired by numerous heartbreaks, not just mine but those of others as well. I actually wrote that song two years ago. I had been waiting for the right time to put it out and I just felt it was time to let go of all that pain, and to also let anyone out there going through similar pain know that it is validated.

What themes do you explore on your debut project, PHÆWAY Vol. 1?

I explore my Gemini ego with a touch of Greek mythology, which symbolise the spiritual connection I have with my music.

What was the process of creating the project like for you?

The whole process was really invigorating because I had been working on the tape for almost two years. A lot of obstacles came forth but I realised it was all for the best after seeing, feeling and listening to what I had created. My experiences from school also brought a lot of inspiration in fine-tuning this amazing body of work.

Are there collaborators on the album?

Yes there are. Aside from the lead single ‘Violet’ featuring my label mate Drayko, I also created standout jams with Eeskay and PsychoYP.

What has your experience been as an artist working during COVID-19?

It’s been really slow in the office on the show front, seeing that many events were cancelled, but it also brought forth major inspiration and discoveries about myself and my music, ones I could never take back.

What do you intend for PHÆWAY Vol. 1, and your career as a whole?

I would love to see this debut tape make its way around the world and be accepted for its uniqueness. As for my career, I am open to endless possibilities and opportunities that come my way, and make sure I utilise them. One of my dreams is to sell out the Staples Center in Los Angeles and Madison Square Garden in New York. Ultimately, I hope to see out these dreams and take my art to the next level.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media