NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

1600 performers for Joburg’s Marimba and Steelpan Festival

21 Jul 2016 - 14:54

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The fifth annual International Marimba and Steelpan Festival is set to take place in Johannesburg, South Africa on the weekend of 30 and 31 July.

Scenes from a previous edition of the International Marimba and Steelpan Festival. Photo: Facebook

More than 1600 performers from all over South Africa, Lesotho, Swaziland, Botswana, Zimbabwe and Nigeria will descend on Tom Newby School in Benoni, where festival-goers will hear some of the world’s best marimba and steel bands perform at what is regarded as the largest festival of its kind in the world.

Over 80 schools and institutions from across the continent will be descending on Benoni for a weekend of music, marimbas and merriment as they battle it out for the coveted trophies and prizes to be won.

In addition to the 250 marimba and steelpan performances, which take the form of competitions in various categories, there will also be over 65 workshops on offer to everyone. These include djembe, marimba, steelpan, mbira, Khoisan dance, flamenco dance, Indian dance and gumboot dance.

The organisers recently announced their six adjudicators for the festival: steelpan specialists Andy Narell and Hallie Blejewski from USA, marimba specialists Gerard van de Geer (Australia) and Bongani Sotshononda, as well as Dr Andile Khumalo and Pops Mohamed from South Africa.

One of the many highlights of the festival is the massed marimba and steelpan event, where over 1000 performers will learn a new piece specifically composed for this event by the event organizer, Joan Lithgow. This piece, entitled ‘Africa’, will be learnt from scratch within 40 minutes and then will be performed with all the adjudicators!

There are a number of concerts throughout the two days, including two solo performances by Andy Narell and two duo performances by Dave Reynolds and Pops Mohamed – all concerts that are not to be missed.

In addition, the SAMRO Foundation sponsors a composition competition, which is judged prior to the festival and the compositions performed at the festival. The foundation also commissions a new composition each year. This year the composition, ‘Nala’, for steelpan, chromatic marimba and chromatic bass marimba was written by Bongani Sotshononda and will be performed by the composer as well as Dave Reynolds on steelpan and Bradley Lithgow on bass marimba.

Besides the hotly contested marimba and steelpan competitions which provides non-stop performances for two days, the numerous workshops on offer, and the massed djembe, steelpan and marimba items, there will also be a large craft market to keep people busy.

The festival is hosted by Education Africa in partnership with Tom Newby School. The event’s major sponsor is the Department of Arts and Culture with their special theme: ‘building a better Africa and a better world’.

Ticket info

This is a family outing with prices geared towards bringing the whole family for a fun-filled weekend. Adults and children will pay R120 for a full weekend pass or R60 per day for ALL entertainment including attendance at workshops. If you’re not wanting to attend the workshops, tickets cost R30 per day for adults and R20 per day for children.

Get your tickets at the gate on the day or book online via the festival website. For block bookings or more information contact Thami at (+27)11 6857300 or [email protected]

The festival takes place between 8am and 8pm on Saturday and 8am and 5pm on Sunday at Tom Newby School, 10 Master Street, Airfield, Benoni, Gauteng.

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