NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Kabelo El Chen Mogale leads nominations for 10th Mzantsi Jazz Awards

09 Jul 2026 - 07:51

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South African jazz musician Kabelo El Chen Mogale has emerged as the most nominated artist for the 10th Mzantsi Jazz Awards, receiving five nominations ahead of the ceremony at the South African State Theatre in Pretoria on 15 August.

South African jazz musician Kabelo El Chen Mogale has emerged as the most nominated artist for the 10th Mzantsi Jazz Awards.

Mogale earned nominations in the Best Jazz Album, Best African Jazz Album/Artist, Best Traditional Jazz Album and Best Male Jazz Artist categories for his album El Chen (The Unfinished Story). He is also shortlisted in the Best African Jazz Album/Artist category, making him the most recognised nominee in this year's awards.

The Best Jazz Song category features eight nominees: Salphina Kadiaka for ‘Pasopa Driver’, Wendy Allen Twyford for ‘Ain’t No Sunshine (When He’s Gone)’, Mdu Mtshali for ‘Okae Molao’, Lefa Mosea for ‘Unonkala’, Kabelo El Chen Mogale for ‘iShoba Labangoma’, Lindi Ngonelo for ‘In a Man’s World’, Wowo Mndau for ‘Spontaneously So’ and Bonginkosi Yeko for ‘Mahayihayi’.

Five albums are in contention for Best Jazz Album. The nominees are Matshawandile Yenana’s Way Out Is In, Mogale's El Chen (The Unfinished Story), Lindi Ngonelo’s In a Man’s World, Kabelo Boy Mokhatla’s Dot Series and Siyanqoba Mthethwa’s Inevitable (Jazz Edition).

The Best African Jazz Album/Artist category includes Berima Amo, Sibusiso Lerole, Apiwe Bubu, Bonginkosi Innocent Yeko, Mogale, Christine Kamau, Siyanqoba Mthethwa, Isaiah Katumwa, Fanie Sandile Dick, Dotun Bankole and Ola Onabulé.

In the Best International Jazz Album/Artist category, Daniel John Martin, Isaiah Katumwa, Tutu Puoane and Ola Onabulé have been nominated.

The Best Radio Station Promoting Jazz award will be contested by Mams Radio 92.9 and Urban Edge Radio.

The jury-selected Best Contemporary Jazz Album category features Wendy Allen Twyford’s Reimagined, Mdu Mtshali’s Okae Molao and Bokang Ramatlapeng’s Qalo.

Nominees for the jury-selected Best Traditional Jazz Album category are Sibusiso Lerole’s Tribute to Jack Lerole, Mogale’s El Chen (The Unfinished Story), Mawatla Ledwaba’s Ledwaba Ndebele and Bonginkosi Yeko’s Xigaza Jazz Vol. 1.

The Best Male Jazz Artist nominees are Mdu Mtshali, Sibusiso Lerole, Kabelo El Chen Mogale, Kabelo Boy Mokhatla, Matshawandile Yenana and Bonginkosi Yeko.

The Best Jazz Song, Best Jazz Album, Best African Jazz Album/Artist, Best International Jazz Album/Artist and Best Radio Station Promoting Jazz categories will be decided by public vote, while the remaining categories will be judged by a panel.

Best Jazz Song

This category will be decided by public vote. To vote, send an SMS with ZaJazz followed by the nominee’s code (for example, BS1) to 40439. Each SMS costs R2, with one SMS counting as one vote. Free SMSs do not apply.

  • Salphina Kadiaka – ‘Pasopa Driver’ (BS1)
  • Wendy Allen Twyford – ‘Ain't No Sunshine (when he’s gone)’ (BS2)
  • Mdu Mtshali – ‘Okae Molao’ (BS3)
  • Lefa Mosea – ‘Unonkala’ (BS4)
  • Kabelo El Chen Mogale – ‘iShoba Labangoma’ (BS5)
  • Lindi Ngonelo – ‘In a Man’s World’ (BS6)
  • Wowo Mndau – ‘Spontaneously So’ (BS7)
  • Bonginkosi Yeko – ‘Mahayihayi’ (BS8)

Best Jazz Album

This category will be decided by public vote. To vote, send an SMS with ZaJazz followed by the nominee's voting code (for example, BJ1) to 40439. Each SMS costs R2, with one SMS counting as one vote. Free SMSs do not apply.

  • Matshawandile Yenana – Way Out Is In (BJ1)
  • Kabelo El Chen Mogale – El Chen (The Unfinished Story) (BJ2)
  • Lindi Ngonelo – In a Man’s World (BJ3)
  • Kabelo Boy Mokhatla – Dot Series (BJ4)
  • Siyanqoba Mthethwa – Inevitable (jazz edition) (BJ5)

Best African Jazz Album/Artist

This category will be decided by public vote. To vote, send an SMS with ZaJazz followed by the nominee's voting code (for example, BA1) to 40439. Each SMS costs R2, and each SMS counts as one vote. Free SMSs do not apply.

  • Berima Amo – Fake Flowers (BA1)
  • Sibusiso Lerole – Tribute to Jack Lerole (BA2)
  • Apiwe Bubu – Reflections of a Sound Mind (BA3)
  • Bonginkosi Innocent Yeko – Xigaza Jazz Vol 1 (BA4)
  • Kabelo El Chen Mogale – El Chen (The Unfinished Story)
  • (BA5), Christine Kamau – Wednesday Afternoon (BA6)
  • Siyanqoba Mthethwa – Inevitable (jazz edition) (BA7)
  • Isaiah Katumwa – New Days (BA8)
  • Fanie Sandile Dick – Away from sorrows (BA9)
  • Dotun Bankole – OLÙGBÀLÀ (BA10)
  • Ola Onabulé – It’s Never Over (BA11)

Best International Jazz Album/Artist

This category will be decided by public vote. To vote, send an SMS with ZaJazz followed by the nominee's voting code (for example, BF1) to 40439. Each SMS costs R2, and each SMS counts as one vote. Free SMSs do not apply.

  • Daniel John Martin – Pardon My French (BF1)
  • Isaiah Katumwa – New Days (BF2)
  • Tutu Puoane – Wrapped in Rhythm Vol II (BF3)
  • Ola Onabulé – It’s Never Over (BF4)

Best Radio Station Promoting Jazz

This category will be decided by public vote. To vote, send an SMS with ZaJazz followed by the nominee's voting code (for example, BR1) to 40439. Each SMS costs R2, and each SMS counts as one vote. Free SMSs do not apply.

  • Mams Radio 92.9 (BR1)
  • Urban Edge Radio (BR2)

Best Contemporary Jazz Album

This is a jury category

  • Wendy Allen Twyford – Reimagined
  • Mdu Mtshali – Okae Molao
  • Bokang Ramatlapeng – Qalo

Best Traditional Jazz Album

This is a jury category

  • Sibusiso Lerole – Tribute to Jack Lerole
  • Kabelo El Chen Mogale – El Chen (The Unfinished Story)
  • Mawatla Ledwaba – Ledwaba Ndebele
  • Bonginkosi Yeko – Xigaza Jazz Vol 1

Best Male Jazz Artist

This is a jury category

  • Mdu Mtshali
  • Sibusiso Lerol
  • Kabelo El Chen Mogale
  • Kabelo Boy Mokhatla
  • Matshawandile Yenana
  • Bonginkosi Yeko

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