NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

ACCES 2018 conference going to Kenya

01 Mar 2018 - 08:39

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Nairobi has been chosen as the host city for the 2018 edition of the Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES). Launched by the Music In Africa Foundation (MIAF) in 2017, ACCES is a pan-African event for music industry players to exchange ideas, discover new talent, network and create new business linkages.

Music In Africa Foundation chairperson Aisha Dème and director Eddie Hatitye during a press conference in Dakar, Senegal, last year.

The Foundation’s director, Eddie Hatitye, said ACCES 2018 would take place in November and that the dates of the conference would be announced soon. This comes after the MIAF management board voted in favour of the Kenyan capital last week.

Hatitye said the MIAF wanted to see ACCES making a strong impact across the length and breadth of the African continent. “Last year we were in West Africa where we provided a great platform for all kinds of music industry professionals to engage with one another over a few days defined by great discussions, networking opportunities, exhibitions, showcases and presentations. This year we will do much more in Nairobi,” he said.

The three-day ACCES is held in a different African city every year. The first edition was held in November 2017 in Dakar, Senegal. Wherever it is held, ACCES presents opportunities for the local industry to showcase its musical works to a diverse audience while nurturing business exchange and the creation of a strong network of music professionals on the continent.

New formats

Hatitye said ACCES 2018 will introduce significant improvements in areas such as content curation, networking, showcasing and exhibition formats. The event will introduce streamlined one-on-one meetings, new networking tools, curated showcases, keynote lectures and customised exhibitions, among others.

“We’ve carefully considered the feedback from our 2017 delegates and we can comfortably say that this year’s conference, including its peripheral activities, will be spectacular,” Hatitye said.

“We’re looking at offering a balanced programme that will cater for both local and international delegates. We want to foster more interaction between delegates and our content offering will be more pragmatic. We are also looking at presenting musicians with more opportunities to further their careers, whether they’re experienced or inexperienced.”

The Dakar leg of ACCES saw about 500 participants from more than 40 countries in Africa and Europe as well as Australia and the US travel to the Senegalese capital where they got a taste of the best of West African music through a number of showcases that highlighted upcoming local musicians, studio and venue tours and a concluding open-air concert featuring artists from Senegal, Côte d’Ivoire and Mali. Many of the participants also took part in informative panel discussions where they discussed some of the main challenges facing musicians in the region and beyond.

A few days before the conference, the MIAF held the Steps to a Professional Music Career workshop, which covered a mix of theory and practical exercises in a bid to improve musicians’ skills. The Foundation, Hatitye said, would plan more activities of a similar kind come November.

“Kenya has an incredibly vibrant music scene and is one of the most accessible destinations on the continent. We expect professionals from around the world to join us in Nairobi and take our music to greater heights,” he said.

Last year, world-renowned Senegalese musician Baaba Maal delivered the keynote address at the ACCES conference, which was one of the highlights of the entire event.

Registration for ACCES 2018 will open in July 2018. For more information about ACCES, visit the official website.

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