NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

ACCES 2024

ACCES 2024: PAM’s Christian Askin on Rap in Kigali project

19 Sep 2024 - 11:10

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Pan-African Music (PAM) and Cornwine Agency have announced a partnership with this year’s Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES).

The partnership will see PAM and Cornwine Agency present the Rap in Kigali project at the ACCES 2024 music trade event taking place in Kigali, Rwanda, from 14 to 16 November. Rap in Kigali is a 360 project aimed at highlighting the rap scene in Rwanda. 

According to PAM managing editor Christian Askin, the presentation will feature a photo exhibition by Michiel Robberecht, a panel discussion on Rwanda’s youth culture, and a showcase by the newly formed group +250 at the Kigali Convention Centre.

Rwandan rapper Bushali is one of the artists featured in the Rap in Kigali project. Photo: Michiel Robberecht

Robberecht’s work provides an intimate lens into the people and spaces that connect the different rap forces across the Rwandan capital. His work has been shown at the Théâtre National de Chaillot in Paris, France, and at The French Institute of Rwanda.

The panel discussion will feature actors in the country’s youth culture who will explore the emergence of new identities within Rwandan hip hop and how it shapes a cultural movement. It will reflect on Rwandan hip hop culture – where it has been, where it is now, and where it’s going, in look, style, and sound, and how to take it to the world.

It will be moderated by Cornwine Agency project manager and associate producer Aubin Muhire, who is well known for the promotion and close collaboration with artists. Muhire will be joined by Big Team productions co-founder Eazy Cuts, who has been key in constructing Rwandan hip hop’s visual identity, poet, rapper, and singer-songwriter Angell Mutoni, Boldy Bonza founder Uwera Laetitia, and co-founder of Kigali Multimedia Hub and 63 inc Khalilu Rahman.

Topping off the proceedings will be a live performance by +250. Composed of Ish Kevin, Angell Mutoni, B-Threy, Bushali, Slum Drip, Bushali, Nikita Heaven, Sema Solé, and Ice Nova, as well as producers Pro Zed and Dr Nganji, +250 (a reference to Rwanda’s country code) celebrates Rwandan youth under the banner of hybrid, free and instinctive music. By connecting the different generations and styles of rap in the country, while taking a look back at the traditional music that makes Rwanda unique, +250 promises an exciting step in Kigali’s hip hop evolution.

Askin added: “We are proud to bring these efforts to life for this year’s ACCES event, in the gallery, on stage, and with animated discussions of the actors that have created a new youth identity out of the culture and codes of hip hop.

“We have been following the rap scene in Rwanda for some time, exploring the origins of kinyatrap (a Rwandan hip hop subgenre) in a recent Off the Map documentary with B-Threy, commissioning photo reports, interviewing Ish Kevin and the LoudSound movement, and putting together an international tour with Bushali and his team.”

Below Askin tells Music In Africa more about the project.

MUSIC IN AFRICA: Can you tell us a bit about the Rap in Kigali project? When and why did PAM get involved?

CHRISTIAN ASKIN: The Rap in Kigali project is a long-term initiative to help develop and promote the rap scene in Rwanda. Several years back we stumbled upon the kinyatrap phenomenon while reporting on the different rap scenes on the African continent. The sound and stories were so compelling that we followed up with some investigation, and eventually produced a short documentary on one of the key figures of the movement, B-Threy, directed by Michiel Robberecht. At PAM, we love stories that open a window into the broader culture, and kinyatrap and Rwandan hip hop are powerful examples of using music to find a voice, investigate taboos, and unite a generation. After a few trips to Kigali, meeting with Cornwine, and listening in on the many different movements under the hip hop umbrella, we knew we wanted to go even further, which led to Rap in Kigali, a comprehensive, multimedia exploration of the scene involving long-term investment in its development locally and internationally.

What has the project achieved so far?

So far, we have hosted a photo exhibition and film screening by Michiel Robberecht at Paris’ iconic Théâtre de Chaillot at the Trocadéro overlooking the Eiffel Tower, topping it off with a kinyatrap performance. We also used this event to launch a European tour for rappers Bushali and B-Threy and producer Dr. Nganji, beginning with our Nyege Nyege Festival in Paris, and then several dates in France, Belgium, and Poland. We’ve also begun investing alongside Cornwine to provide the scene with the tools they need and working together to create a collaborative project, +250, that brings together multiple generations and styles of Rwandan rappers and artists to showcase what the scene has to offer. With a live band, +250 and traditional musicians are coming together to build an original performance with new and old compositions that aim to highlight and expand Rap in Kigali. There are many other exciting activities in the works, including a new documentary, a +250 album, and more live events that will roll out over 2024 and 2025.

Why did you choose to partner with ACCES?

ACCES and PAM have a strong working relationship, so it was logical for us to propose this multimedia partnership for the Kigali edition of the conference. This will give the artists the opportunity to showcase their work to music professionals from around the globe and tell their stories via a photo exhibition, a panel discussion on Rwanda's youth culture, and a live performance from +250.

Register here to attend the Rap in Kigali project panel discussion, photo exhibition and showcase at the Kigali Convention Centre in Rwanda from 14 to 16 November 2024. African delegates register for free.

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