NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

ACCES showcases impress Nairobi audience

16 Nov 2018 - 16:20

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It was a feast for the eyes and ears as the ACCES 2018 conference got off to a musical start. Opening night featured a showcase of some of Kenya’s finest artists. Curated from various generations, the line-up represented a rich lineage of Kenyan music.

Maia & the Big Sky. Photos: Music In Africa

First up was Johnstone Mukabi and the Omutibo Stars Band, a Nairobi group led by the late George Mukabi's son. His set was a nostalgic drive down memory lane that included various hits from Mukabi Sr, who is considered a pioneer of Kenyan music for popularising the Omutibo genre and influencing benga, a genre that has gone on to define the country’s musical landscape.

As the legendary hit 'Mtoto si Nguo' played, history and heritage reverberated in the Kenya National Theatre auditorium. Though he recorded just 30 songs, George Mukabi's influence on Kenyan music lives on through his son and the numerous benga artists who picked up from where he left.

Up next was Maia & the Big Sky with a dynamic set of soulful vocals and punchy lyrics that took the audience up to the clouds. The seasoned performer delivered a delightful set and took the audience on a journey, mixing jazzy vocals with rhythmic African tunes.

For those who could understand Swahili, the play on words was a poetic treat. The highlight of the set was her collaboration with Blinky Bill on the hit single 'Pawa'. The song is social commentary on the media and the power it has to influence and manipulate. It was expertly executed by Blinky Bill, Maia and her skilled band, the Big Sky.

Winyo then took a narrative approach to his set. Although most of his songs are in Luo, he took time to explain their meaning. Drawn from his home village, his songs paint a vivid picture of his boyhood experiences and his grandmother who plays a central role in his music.

Even for those who could not understand Luo, the language had a beautiful ring and blended perfectly with Winyo’s soulful vocals. It was one of those performances that made you want to learn the language just so you could appreciate the full extent of what was being said. The whole band backed him up on vocals, bringing out a beautiful call and response.

In the tradition of saving the best for last, Eric Wainaina brought opening night to an exciting end. Just a mention of his name by emcee John Sibi-Okumu spurred a wave of anticipation throughout the auditorium. The band picked up with drum rolls and exciting synths and Wainaina took to the stage.

With an enviable stage presence and the ability to draw in his audience, the singer went through a set that included well-known hits and a few unknown songs. As the showcase went on it became increasingly difficult for the audience to remain seated. It was an all-out carnival of dance and great times. At some point he even invited members of the audience to join him onstage for a dance of their choice.

Indeed, all good things must come to an end and end it did. However, the showcase set a good pace for the conference and delegates were visibly elated as they left the auditorium.

Much more to come from ACCES 2018 this weekend.

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