NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Acoustic Africa brings Habib Koité and Vusi Mahlasela to the USA

30 Mar 2016 - 06:52

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After worldwide critical and commercial success in 2006, 2011 and 2013, the fourth instalment of Acoustic Africa’s exhilarating journey showcases two of the continent's most beloved singers, Mali’s Habib Koité and Vusi Mahlasela of South Africa. The two artists will perform on Tuesday 5 April at the Cedar Cultural Centre in Minneapolis, USA.

South African artist Vusi Mahlasela. Photo: www.nydailynews.com

A modern musician with extraordinary appeal, Habib Koité‘s musicianship, wit and wisdom translate across cultures. Hailing from the musically prolific West African nation of Mali, the guitarist and composer has been named the biggest pop star of the region by Rolling Stone magazine, delighting audiences the world over and selling more than 250 000 albums. Over the past decade, his artistry and magnetic personality have made him an international star, placing him firmly among the leading figures in contemporary world music.

Simply known as ‘The Voice‘ in his home country, Vusi Mahlasela is celebrated for his distinct, powerful voice and his poetic, optimistic lyrics. His songs of hope connect apartheid-scarred South Africa with its promise for a better future. Raised in Mamelodi in Pretoria, where he still resides, Mahlasela became a singer-songwriter and poet-activist at an early age. After his popular debut on BMG Africa, When You Come Back in 1992, he was asked to perform at Nelson Mandela’s inauguration in 1994 and continues to spread Madiba's message as an official ambassador of Mandela’s HIV/Aids initiative, 46664.

Beyond the Acoustic Africa performances, the Cedar Cultural Centre also hosts a great line-up of performances by other African artists coming up in the next few months. Somali artist Jubba is set to perform there on Friday 29 April. Born Abdulkadir Omar Yusuf in Somalia in 1962, he began singing as a teenager in Mogadishu under the stage name Jubba and was recruited to the legendary Waaberi Group after winning a popular singing competition at the age of 19. Waaberi Group was Somalia’s government-sponsored music and dance troupe which included the best and most talented singers, musicians and dancers in the country. With hundreds of views views on many popular YouTube channels, Jubba is an international star. He continues to tour internationally and recently wrote and performed a song for the Queen of Norway.

Other artists expected to perform at The Cedar Cultural Centre later in 2016 are Mali’s Fatoumata Diawara (who is slated to perform on 6 May), Nigeria’s Femi Kuti and the Positive Force (on 15 July) and Senegal’s Pape Diouf (on 18 July). To find out more about the African artists performances at The Cedar Culture Centre, visit the organizations website.


Elsewhere in Minneapolis, Mali’s Songhoy Blues are set to perform at the Ice House on 8 April. The band that has already staged performances at New York’s Beacon Theatre as well as the Chicago Theatre and Riverside Theatre in Milwaukee in March. At the end of May they will be back in Africa to headline Bushfire in Swaziland. To learn more about Songhoy Blues tour around the world, visit the band’s website for tour dates.

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