NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Africa Day playlist: Listen to songs of joy and freedom

25 May 2023 - 08:21

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Africa Day presents an opportunity to celebrate the rich tapestry of Africa’s cultures and acknowledge its remarkable accomplishments. The occasion shines a spotlight on the vibrant heritage and the immense economic potential that flourishes all over the continent while providing a reminder of her enduring spirit and remarkable contributions to the global community.

Fela Kuti.

Inherent in the continent’s music landscape exists a unifying and indelible legacy heard across a melange of pensive political thoughts reflecting a collective consciousness and infectious positivity. Notably, one cannot discuss Africa’s musical legacy without acknowledging the profound impact of Afrobeat and reggae as sonic channels for pushing messages addressing themes of freedom, social justice and struggle.

Music In Africa’s Africa Day playlist for 2023 comprises sonic anthems that ignite the spirit of activism and positivity. The selection also represents a baton exchange, passed down from the past generational giants to the artists of the new dispensation who expertly carry the weight of history and hope.

‘Make You No Forget’ by Blitz the Ambassador ft. Seun Kuti

A nostalgic and impassioned tribute to the continent, this contemplative record, taken off the Ghanaian rapper’s 2014 LP Afropolitan Dreams and featuring Seun Kuti, the scion of Nigerian icon Fela Kuti, expertly combines Afrobeat rhythms and hip hop resulting in a mosaic of African pride, longing and a deep sense of connection.

‘Africa Unite’ by Bob Marley

With its contagious beats and impactful lyrics, this offering by reggae icon Bob Marley stands as an enduring anthem of unity and liberation, perfectly embodying the essence of Pan-Africanism.

‘Water No Get Enemy’ by Fela Kuti

A bold blend of Afrobeat rhythms and enlightening lyrics, Afrobeat founder Fela Kuti’s ‘Water No Get Enemy’, taken from his 1975 album Expensive Shit, transports its listener to a realm of musical brilliance and social awareness, highlighting the intrinsic significance of water, as well as the interconnectedness that binds us all together.

‘Respect’ by Lucky Dube

In Lucky Dube’s ‘Respect’, emotions run deep, and societal critique finds voice. Through its catchy melody and timeless message, the song is a powerful expression of social awareness.

‘African Typic Collection’ by Sam Fan Thomas

Sam Fan Thomas’s ‘African Typic Collection’, off 1984's Makassi, is a vibrant celebration of Cameroon’s musical heritage. With its infectious rhythms, lively guitar melodies, and Thomas’s soulful vocals, this track transports listeners to the heart of Africa, where joy and rhythm intertwine in a colourful tapestry of sound.

‘Karolina’ by Awilo Logomba

This is an irresistible fusion of Congolese soukous by one of its most accomplished apostles, whose energetic vocals on high-octane instrumentation have perpetually ignited dance floors and brought people together.

‘Already’ by Beyoncé, Major Lazer and Shatta Wale

A groundbreaking collaboration between American pop star Beyoncé, electronic dance music DJ trio Major Lazer and Ghana’s Shatta Wale, ‘Already’ is taken from Beyoncé’s 2019 collaborative album The Lion King: The Gift, which celebrates authentic culture, African royalty and identity. An evergreen submission, the lively track bursts with the infectious energy existing at the intersection between Afrobeats and dancehall and exemplifies the global impact of African music.

‘Aicha’ by Khaled

Algerian singer Khaled’s ‘Aicha’ is a timeless and enchanting ballad that combines emotive melodies and heartfelt lyrics, specifically a delicate fusion of North African sounds and contemporary pop influences.

‘Jerusalema’ by Master KG ft. Nomcebo Zikode

‘Jerusalema’ (2020), South African vet Master KG’s masterful production steers Nomcebo Zikode’s soul-stirring voice, sparking a global fever while redirecting the world’s gaze to the magic of the African anthem.

‘Orugambo’ by Saida Karoli

With its captivating melodies and standout guitar strums, ‘Orugambo’ embodies the rich musical traditions of East Africa, showcasing the treasured vocals of Tanzanian singer Saida Karoli and evoking a sense of nostalgia for the region’s cultural heritage.

‘God Bless Africa’ by Alpha Blondy

Pioneering Ivorian reggae star Alpha Blondy’s ‘God Bless Africa’ stands as a timeless masterpiece that honours the rich heritage of the continent while igniting a flame of hope for a better tomorrow. Boasting powerful lyrics and Blondy’s soulful vocals, this song has also become a rallying cry for unity, pride, and the triumph of the African spirit.

‘Wavin Flag’ by K’naan

Somali-Canadian rapper K’naan’s ‘Wavin Flag’ resonates with a poignant message and uplifting spirit, accompanied by weeping orchestration to create a universal rallying cry.

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