NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

AfriCali re-invents the Afrobeat sound on new single

29 May 2015 - 12:57

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AfriCali are a California-based band made up of Nico Georis and South African MC Eyezon Soweto. The duo have released their latest single, ‘THE S.T.R.U.G.G.L.E.’, a unique blend of soulful rock, blues, heavy rhythms and percussion of 1970s Ethiopian music topped with coastal-psych seasoning. It’s a sound that embodies the meaning of Afro-fusion. ‘THE S.T.R.U.G.G.L.E.’ is an all-around powerful track that invites you to enjoy the band's version of Afrobeat.

Eyezon Soweto, South Africa-born frontman of AfriCali. Photo: Facebook

Produced and written by Nico Georis and Eyezon, 'THE S.T.R.U.G.G.L.E.' showcases Eyezon's original prose and melds political poetry, Marvin Gaye-influenced R&B and the deep, rhythmic jams. Georis plays keyboards like a lead guitar and Eyezon uses his voice like a second lead instrument.

Not to be confused with the Colombian band of the same name, AfriCali took root in the summer of 2010 at the Nacarubi Festival in Big Sur, California. Eyezon Soweto hit the stage, joining Nico Georis on keys, during Sky Country's set. After a late-night jam session around the campfire, Eyezon approached Nico with a new genre on their hands, dubbed ‘Afri-Cali’. It’s a term Eyezon came up with due to him being a product of Northern California by way of his native South Africa. He describes Afri-Cali as "a mixture of Afrobeat truth-consciousness with a California street swagger, morphed with hip-hop and drenched in cultural roots".

Eyezon credits Afrobeat as the central influence on the creation of Afri-Cali music, but there is a slight difference: "Afri-Cali is lighter than Afrobeat in terms of feel, where Afrobeat is heavier, funkier stuff," he recently told Monterey County Weekly.

[audio:https://soundcloud.com/africali/the-struggle autoplay:0]

Shortly after their first joint shows, the band’s popularity grew and they soon headlined the Hidden Valley Music Center in Carmel Valley, California. Now the talented musicians have garnered the attention from fans all over the place, including the likes of Brooklyn Bodega, Bohemian.com and OkayAfrica.

Eyezon grew up in South Africa, where he says music was his escape from apartheid, poverty and the daily struggle at that time. Inspired by the sounds of local stars like Hugh Masekela and Brenda Fassie as well as international acts like Earth, Wind & Fire and Michael Jackson, Eyezon began to realise that music would be his muse. He was introduced to hip-hop in school in the mid-1990s by artists like Tumi Molekane and others. He sees a connection between rapping and the political slogans sung or chanted during political protests in South Africa. His love for both hip-hop and South African music stirred up his co-creation of AfriCali with producer Nico Georis. Today their sound and culture has swept the California area and it is spreading - fast!

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