NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

African artists up for International Reggae and World Music Awards

31 Mar 2021 - 13:04

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A number of African artists have been nominated for the 2021 International Reggae and World Music Awards, which will be held virtually on 2 May under the theme, Reggae & World Music Still Rise.

Ghanaian artist Shatta Wale is among the nominated African artists.

Patoranking (Nigeria), Winky D (Zimbabwe), Buffalo Souljah (Zimbabwe), Stonebwoy (Ghana) and Shatta Wale (Ghana) are competing for the Best African Dancehall Entertainer Award.

The Best Afrobeat Entertainer category features Burna Boy (Nigeria), Davido (Nigeria), Diamond Platnumz (Tanzania), Master KG & Nomcebo Zikode (South Africa) and Wizkid (Nigeria).

Nomcebo Zikode is the only African nominated in the Best New Entertainer category and is up against Nailah Blackman (Trinidad), Skillibeng (Jamaica), Alicia Harley (Jamaica) and Sevana (Jamaica).

Other nominated Africans nominated are Dynamq (South Sudan), Sarkodie (Ghana) and Vachi Kepwe Di Poet (Zimbabwe).

The public can vote for their favourite artists here.

Below is the full list of nominees:

Best African Dancehall Entertainer

  • Winky D (Zimbabwe)
  • Buffalo Souljah (Zimbabwe)
  • Shatta Wale (Ghana)
  • Stonebwoy (Ghana)
  • Patoranking (Nigeria)

Best Afrobeat Entertainer

  • Burna Boy (Nigeria)
  • Davido (Nigeria)
  • Diamond Platnumz (Tanzania)
  • Master KG and Nomcebo Zikode (South Africa)
  • Wizkid (Nigeria)

Best New Entertainer

  • Nomcebo Zikode (South Africa)
  • Alicia Harley (Jamaica)
  • Nailah Blackman (Trinidad)
  • Sevana (Jamaica)
  • Skillibeng (Jamaica)

Best Sound System/DJ

  • Dynamq (South Sudan)
  • Little Thunder (Canada)
  • Pink Panther (Jamaica)
  • Tony Matterhorn (Jamaica)

Best Virtual Showcase/Concert

  • Beenie Man vs Bounty Verzuz Battle (Jamaica)
  • Rebel Salute (Jamaica)
  • Reggae Sumfest (Jamaica)
  • Sarkodie Black Love Virtual Concert (Ghana)

Best Poet/Spoken Word Entertainer

  • Vachi Kepwe Di Poet (Zimbabwe)
  • Antonia Valaire (Jamaica)
  • Malachi Smith (Jamaica)
  • Richie Innocent (Jamaica)
  • Wise Wurdz (Jamaica)

Emperor of Reggae & World Music

  • Buju Banton
  • Koffee
  • Popcaan
  • Protojé
  • Sizzla Kolongi

Peter Tosh Award for Recording Artist of the Year

  • Buju Banton
  • Koffee
  • Popcaan
  • Protojé
  • Tarrus Riley

Jacob Miller Award for Best Male Vocalist

  • Chronixx
  • Gramps Morgan
  • Protojé
  • Romain Virgo
  • Tarrus Riley

Best Female Vocalist

  • Etana
  • Koffee
  • Lila Ike
  • Sevana
  • Naomi Cowan

Best Song

  • ‘Blessed’ – Buju Banton
  • ‘People Like You’ – Gramps Morgan
  • ‘Lock Down’ – Koffee
  • ‘Like Royalty’ – Protojé & Popcaan
  • ‘Lighter’ – Taurus Riley & Shenseea & Rvssian

Best Album/CD

  • Upside Down – Buju Banton
  • In Search of Lost Time – Protojé
  • Higher Place – Skip Marley
  • One World – The Wailers ft. Skip Marley, Farruko, Shaggy and Cedella Marley
  • Hot Shot 2020 – Shaggy

Best Crossover Song

  • ‘People Like You’ – Gramps Morgan
  • ‘Don’t Walk Away’ – John Legend ft. Koffee
  • ‘Party Next Door’ – Popcaan ft. Drake
  • ‘I Don’t Know Why’ – Rvissian ft. Shenseea, Swae Lee and Young Tug
  • ‘Slow Down’ – Ship Marley and H.E.R.

Best Gospel Song

  • ‘Forgiveness’ – Eddie Neblett
  • ‘People Like You’ – Gramps Morgan
  • ‘Carry Me’ – Kevin Downswell
  • ‘Watch Over Me’ – Jermaine Edwards
  • ‘I'm Gonna Trust You’ – Judith Gayle

Best Male Dancehall Artist

  • Beenie Man
  • Buju Banton
  • Bounty Killer
  • Govana
  • Popcaan

Best Female Dancehall Artist

  • D’Angel
  • Jada Kingdom
  • Shenseea
  • Spice
  • Stefflon Don

Best Calypso/Soca Entertainer

  • Farmer Nappy
  • Kes
  • Nadia Batson
  • Nailah Blackman
  • Patrice Roberts

Best Dancehall Stagecraft Entertainer

  • Agent Sasco
  • Beenie Man & Bounty Killer
  • Buju Banton
  • Dexta Daps
  • Sizzla Kalonji
  • Spice

Best Latin Reggae Flavour Entertainer

  • Bad Bunny
  • Daddy Yankee
  • Don Omar
  • J. Balvin
  • Ozuna

Best R&B/Hip Hop & Reggae Collaborated Song

  • ‘Trust’ – Buju Banton and Tory Lanez
  • ‘Slow Down’ – Skip Marley and H.E.R
  • ‘Twist’ – Drake & Popcaan
  • ‘Don’t Walk Away’ – Koffee ft. John Legend
  • ‘Love Mi Ladies’ – Oryane ft. Sean Paul

Best Reggae Rock Entertainer

  • Gentleman
  • Rebelution Band
  • SOJA
  • Slightly Stoopid
  • Stick Figure

Best Young Entertainer (18 years and under)

  • DJ Switch
  • DJ Whitney
  • Kailash
  • Wayne J.

Best Music Video

  • ‘Blessed’ – Buju Banton
  • ‘Jerusalema’ – Master KG ft. Nomcebo
  • ‘Mango’ – Sevana
  • ‘Lighter’ – Taurus Riley & Shenseea
  • ‘Love Me Ladies’ – Sean Paul
  • ‘One World’ – The Wailers ft. Skip Marley, Farruko, Shaggy and Cedella Marley

Most Cultural/Educational Entertainer

  • Anthony B.
  • Capleton
  • Ras Takura
  • Mutabaruka
  • Kabaka Pyramid

Most Promising Entertainer

  • Lila Ike
  • Orisha Sound
  • Sevana
  • Skillibeng

Best Instrumentalist

  • Dean Fraser
  • Kubix
  • Bongo Herman
  • Kwame Yeboah
  • Sly & Robbie

Best Caribbean Entertainer

  • Beenie Man
  • Bounty Killer
  • Buju Banton
  • Kes
  • Sean Paul

Record Producer of the Year

  • Chimney Records
  • Dane Ray
  • Andron “IzyBeats” Cross
  • Notnice
  • Rvssian

Comedian of the Year

  • Chris “Johnny” Daley
  • Ity & Fancy Cat
  • Majah Hype
  • Oliver Samuels
  • Prince Pine

Humanitarian Award Nominees

  • Bounty Killer
  • Buju Banton
  • Sharon Wiles
  • Sonia Patterson – Portland Curry Festival

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