NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

African artists set for Roskilde Festival 2026 line-up

17 Jun 2026 - 07:54

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Organisers of Denmark’s Roskilde Festival have announced the full list of African artists scheduled to perform at the 2026 edition of the event, which will take place from 27 June to 4 July.

Kin’Gongolo Kiniata from the Democratic Republic of the Congo will perform at the event. Photo: Roskilde Festival

The festival, one of Europe’s largest music gatherings, is expected to attract more than 100 000 attendees. This year’s programme features 177 music acts and more than 90 participants from the fields of art and activism across 16 stages and festival venues.

The African contingent reflects the continent's musical diversity, spanning Afrobeats, amapiano, hip hop, highlife, singeli, Gnawa music, spoken word and experimental fusion.

Lojay to represent Nigeria

Nigerian singer and songwriter Lojay is among the artists confirmed for the festival. Known for blending Afrobeats, amapiano, R&B and rap, Lojay rose to international prominence with his 2022 hit ‘Monalisa’.

His appearance follows the release of his debut album XOXO, which he described as “messy, emotional, sexy, and honest. I wanted it to feel like a late-night text you probably shouldn't send... but do anyway”.

DBN Gogo brings amapiano to Denmark

South African DJ and producer DBN Gogo will represent the country’s amapiano movement at the festival.

Widely regarded as one of the genre’s leading figures, DBN Gogo has played a significant role in expanding amapiano’s global reach. Her latest EP, The GodMother, combines amapiano with South Africa’s emerging 3-Step sound.

Egyptian artists feature prominently

Egyptian rapper and producer Marwan Moussa will return to Roskilde Festival following the release of his 2025 album The Man Who Lost His Heart. The project explores themes of grief, healing and personal reflection and follows a string of successful releases that established him as one of the Arab world’s leading hip hop artists.

Also representing Egypt is poet and vocalist Abdullah Miniawy, who will perform with his trio. Miniawy’s work combines Arabic poetry, Egyptian musical traditions, jazz improvisation and electronic elements.

Ghanaian talent on display

Ghanaian musician Ata Kak will bring his blend of highlife, electronic music and hip hop to the festival. The veteran artist recently released Batakari, his first album in three decades.

Singer and activist Lamisi is also set to perform. Her latest album, Let Us Clap, draws on musical traditions from northern Ghana while incorporating electronic influences. Through her Lamisi Music Foundation, she advocates for the rights of women and girls.

Congolese and Tanzanian acts join the programme

From the Democratic Republic of the Congo, Kin’Gongolo Kiniata will showcase its distinctive sound created using instruments made from recycled materials and urban waste. The band's music combines punk influences with Congolese rhythms and social commentary.

Tanzania will be represented by singeli supergroup Pili Pili Girls and traditional music duo The Zawose Queens.

Pili Pili Girls are expected to make their first appearance at a major international festival, while The Zawose Queens continue to build international recognition following the release of their debut album Maisha in 2024.

Moroccan Gnawa and Kenyan spoken word

Moroccan musician Saad Tiouly will introduce audiences to his contemporary interpretation of Gnawa music, combining traditional instruments and rhythms with modern influences.

Kenyan spoken-word artist Rixpoet, whose real name is Onyango Otieno, will present a performance focused on themes including identity, masculinity, social justice and human rights. His appearance forms part of Re, a collaboration involving Roskilde Festival, Rapolitics and the Danish Institute for Human Rights.

Diaspora representation

The line-up also includes Finnish-Ghanaian musician Grande Mahogany, whose psychedelic fusion of funk, soul and rock has attracted international attention since the release of his debut album As Grande As.

His appearance highlights the growing presence of African diaspora artists within global festival circuits.

The announcement underscores Roskilde Festival’s continued focus on international programming, with African artists expected to play a prominent role across multiple stages during the eight-day event.

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